Daniel Kane

@dkanepoetry.bsky.social

Living in Copenhagen, working in Uppsala. European editor for Textual Practice, associate editor for Studia Neophilologica. https://cup.columbia.edu/book/love-joe/9780231203425 https://cup.columbia.edu/book/do-you-have-a-band/9780231162975/

The Swedish Institute for North American Studies is looking for a researcher in North American Studies. The appointment comprises 50% employment for six months, starting 1 August 2026, on-site in Uppsala. Note that the deadline for applications is Friday, 12 June.

Researcher in North American Studies - Uppsala University

Researcher in North American Studies, Disciplinary Domain of Humanities and Social Sciences, Faculty of Languages, Department of English, Uppsala University

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The Spectator published this attack on me & colleagues just as the High Court is considering Sussex’s request for review of the Office for Students fine. It accuses us of ‘repressing’ our students. The magazine ignored my request for to reply. Please disseminate. alanlester.co.uk/blog/smearin...

Smearing Sussex (and Me): Responding to Nigel Biggar’s Latest Attack in The Spectator

The University of Sussex, Feb 2026, taken by the author. Alan Lester The Spectator has published an article by Nigel Biggar smearing the University of Sussex as repressing students who ‘don&#…

alanlester.co.uk

Astonished that Publishers Weekly has put out this great review of DISPATCHES FROM THE AVANT-GARAGE. (What is happening I never get mainstream attention, my world is the weird world (good)) But what I hope is that more people will find out about the Alternative Press, and you know?, now they might!

Screenshot of Publishers Weekly review of Dispatches from the Avant-Garage: The Alternative Press, showing book cover on the left and review text on the right. Review reads:

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“University of Bristol comp lit lecturer Kosick (Material Poetics in Hemispheric America) delves in this comprehensive account into the history of the Alternative Press, a Detroit-based indie that from the 1960s to the 1990s published cutting-edge experimental art, poetry, and literature. Its contributors—including Amiri Baraka, Robert Bly, Robert Creeley, Diane di Prima, Allen Ginsberg, Bernadette Mayer, and Eileen Myles—are a veritable who’s who of the late-20th-century American avant-garde, but in Kosick’s telling the press’s founding and early years are a story of local pride and tight-knit community. “We always wanted to publish our friends. Why would you want to publish your enemies?” quips Ken Mikolowski, who cofounded the press with his wife, Ann. It was over time, Kosick writes, that the Alternative Press built up trust with authors farther afield, becoming a flagship of the national and even the global avant garde. Kosick dedicates part of her account to highlighting the difficulty she encountered in her study of the press’s history, as much of its output has not been properly archived (a fact she chalks up partly to the underground press’s limited and idiosyncratic print runs, which ranged from bumper stickers to bookmarks, and partly to mainstream academia’s overlooking of broadsides printed in a city better known for churning out automobiles). It adds up to an evocative overview of a legendary publisher. (Mar.)”

Well, it's fifty cups of coffee and you know it's on I move the crowd to the break of break of dawn Can't rock the house without the party people 'Cause when we're gettin down we are all equal There's no better or worse between you and me But I rock the mic so viciously

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