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Joana van de Löcht

@doctoressa.bsky.social

Klima und Literatur, frühe Neuzeit, literarische Moore und Winter, Editionen, auf der Reise durch die unerforschten Weiten der Gutenberggalaxis.

747 Posts821 Follower606 Folgt
Norbert Kraas@reklamekasper.bsky.social · 2d ago

Die Philosophin Lorina Buhr war neulich bei Jürgen Wiebicke im Philosophischen Radio in WDR 5. Gutes Gespräch! Ich höre gerade "Lorina Buhr: Mensch und Umwelt" aus der Sendung WDR 5 „Das philosophische Radio“ Ihr Buch ist erschienen bei @reclamverlag.bsky.social www1.wdr.de/mediathek/au...

Lorina Buhr: Mensch und Umwelt

Die Natur ist ein komplexes Netzwerk, das auch durch menschliche Eingriffe geprägt wird. Dabei geht manches unwiederbringlich verloren. Was das für unser Verhältnis zur Umwelt bedeutet, bespricht Mode...

www1.wdr.de

Daily Mayröcker@dailymayroecker.bsky.social · 2d ago

ich 𝘴𝘤𝘩𝘮𝘦𝘪𝘴𝘻𝘦 5 Stück Würfelzucker in die Tasse streiche 𝘉𝘶𝘵𝘵𝘦𝘳𝘣𝘳𝘰𝘵 bin in der Anstalt bin Marmeladenmensch (August 2009 | Gesammelte Gedichte, 2004-21, S. 394)

Joana van de Löcht@doctoressa.bsky.social · 2d ago

Stefan oder Christian, da kann man schon mal durcheinander kommen. Das Interview mit Christian (!) Pfister zu Dürre und dem Jahr 1540 ist dennoch lesenswert: www.faz.net/aktuell/wiss...

Dürre 2026: Klimahistoriker Pfister erklärt, wie schlimm die Trockenheit gerade ist

Dürren bauen sich schleichend auf, oft unbemerkt. Der Klimahistoriker Stefan Pfister erklärt, wie die Lage in Mitteleuropa derzeit ist – und wovor er sich am meisten fürchtet.

faz.net

Joana van de Löcht@doctoressa.bsky.social · 5d ago

Gerade passend auf dem Schreibtisch: „Wo Gott vns nicht ein Regen schafft Bey diesen dürren Zeiten/ Wo nicht er selber Safft vnnd Krafft/ Den Früchten thut verleihen/ Vnd wo nicht sein Segen erquickt/ Was jetzt vor grosser Hitz erstickt/ So wird vns nicht gedeyen.“ von Josua Wegelin (1637)

Daily Mayröcker@dailymayroecker.bsky.social · last wk.

𝘔𝘶𝘵𝘵𝘦𝘳, 𝘥𝘳𝘦𝘪𝘶𝘯𝘥𝘢𝘤𝘩𝘵𝘻𝘪𝘨, 𝘒𝘳𝘢𝘯𝘬𝘦𝘯𝘩𝘢𝘶𝘴 der Ginkobaum im offenen Fenster des Krankenhauszimmers breitet die Arme aus ist das ein Ginkobaum, sagt sie da kannst du wieder schreiben darüber (29./30.7.89 | Das besessene Alter, S. 132)

VolkswagenStiftung@volkswagenstiftung.de · last wk.

What is the role of the #EnvironmentalHumanities at a time when geopolitical crises are drawing attention away from #climate and environmental issues? New #OpenAccess book by social scientist Anna Antonova, Change! Fellow of the Volkswagen Foundation #envhum #ClimateCrisis #Humanities

Rachel Carson Center for Environment & Society@carsoncenter.bsky.social · 4w ago

New open-access book by RCC alumna Anna Antonova! Download it on our Environment & Society Profile. #envhum @asantonova.bsky.social

Daily Mayröcker@dailymayroecker.bsky.social · 2w ago

der runde Blick wie Horizont : ein Blau verschwimmt in den Augen ein flimmerndes Gelb / ist Juli schon o Erde o halt mich fest noch einen Sommer nein zwei nein drei laß mich noch hier (22.7.95 | Notizen auf einem Kamel, S. 46)

Celine Camps@celinecamps.bsky.social · 2w ago

🚨 Amazing #EarlyModern research degree opportunity: The University of Melbourne (Australia) is looking for a Ph.D Candidate who will work as part of an ARC-funded project on "The History of the Hourglass” (c. 1300-1600) ⏳ 🔗 More Info: shorturl.at/3NoNq #HistSTM

Histories of the Hourglass : Find an Expert : The University of Melbourne

<p> <span>Applications are invited for a PhD position as part of the Australian Research Council funded project The History of the Hourglass.</span> </p> <p> <span>This PhD research opportunity forms part of a project that undertakes the first history of the hourglass from its origins c.1300 through to its global circulation in the sixteenth century. The most precise time-measurement device of its era, the hourglass changed the course of history through its role in maritime travel, scientific experiments and everyday time management. It transformed time into a silent, interior flow crucial to a wide range of cultural projects: in Cairo classrooms or alchemical labs; in the cook’s kitchen or preacher’s pulpit. Alongside its critical intervention in the history of time, the project seeks to pioneer new scientific methods for analysing these fragile objects, with major benefits for their conservation in Australian and international collections.</span> </p> <p> <span>Applicants with the following background are particularly encouraged to apply:</span> </p> <ul> <li> <span>An undergraduate or master’s degree with a specialisation in medieval and/or early modern studies</span> </li> <li> <span>Proficiency in one or more languages other than English, with preference for German, Latin, French, Italian, Spanish or Portuguese</span> </li> <li>Awareness of current methods in the history of material and visual culture. </li> </ul> <p> <strong><span>Eligibility</span></strong> </p> <p> <span>Applicants must satisfy the minimum entry requirements for the Doctor of Philosophy-Arts at the University of Melbourne and demonstrate strong research ability and potential.</span> </p> <p> <span>Applicants will normally have completed a master’s degree or an Australian honours degree (or equivalent) that includes a thesis subject, with academic results equivalent to a University of Melbourne H1 standard. This generally means achieving at least 80% overall and 80% in the thesis or major research component.</span> <br> <br> <span>Applicants must review the Doctor of Philosophy (Arts) entry requirements before submitting an Expression of Interest.</span> </p> <p> <a href="https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements" target="_blank" rel="noopener"><span>https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements</span> </a> </p> <p> <strong><span>How to apply</span></strong> </p> <p> <span>Expressions of Interest close <strong>Monday 21 September at 1700 (Melbourne time).</strong></span> </p> <p> <span>To apply, click the <strong><em>‘Submit Expressions of Interest’</em></strong> button at the top or bottom of this advertisement.</span> </p> <p> <span>Upload the following three documents as part of your Expression of Interest:</span> </p> <ol> <li> <span><strong>Academic transcripts</strong> for all completed or in-progress tertiary study</span> </li> <li> <strong>A one-page project description</strong> outlining a proposed research project examining the history of the hourglass between 1300 and 1600CE </li> <li> <strong>A current resume.</strong> Applicants are encouraged to use the Faculty’s resume template [<a href="https://go.unimelb.edu.au/otz2">https://go.unimelb.edu.au/otz2</a>]. Before uploding, please append to the end of the resume <strong>a 500-word statement</strong> describing your intellectual interests in the history of temporalities and material culture. </li> </ol> <p> <em>Only shortlisted applicants will be contacted and invited to interview. </em><br> <br> <span>Applicants who are successful at the Expression of Interest stage will be invited to submit a formal application for admission to the Doctor of Philosophy- Arts. An invitation to submit a full application does not guarantee admission or the award of a scholarship.</span> </p> <p> <span>For further information about the application process, please visit the Faculty of Arts Graduate Research applications webpage.</span> </p> <p> <a href="https://arts.unimelb.edu.au/study/graduate-research" target="_blank" rel="noopener"><span>https://arts.unimelb.edu.au/study/graduate-research</span> </a> </p>

findanexpert.unimelb.edu.au

Daily Mayröcker@dailymayroecker.bsky.social · 2w ago

hat sich das Bäumchen wieder belebt, auf dem Frühstückstisch in der Küche hat das Mimosenbäumchen sich neu belebt zaghaft 1 neuer Trieb wie Händchen mir entgegen haben meine Tränen seine Blätter neu belebt grüne ZIERDE in meinen Augen (20.7.11 | études, S. 50)

Daily Mayröcker@dailymayroecker.bsky.social · 2w ago

dieser Vogel am Dach Vogel mit weiszer Brust (Träne im Aug), ausgesperrt Schnabel schrieb er ich habe Durst! 🐦 hilfe es dürstet mich : mein Durst so grosz wie ein König kein Regen auf der Erde, so grosze Sehnsucht auf der Erde, (19.7.19 | da ich morgens ..., S. 179)

Kym Deyn@kymdeyn.bsky.social · 2mo ago

Rough day, so have a poem about the Jar of Moles in the Grant Zoology Museum in London that everyone has regarded as too thoroughly batshit to publish

Jar of Moles (Grant Zoology Museum, London) crittery dozened things each pink snout snootling formaldehyde up it's bamboozler which poor fuck had to collect them out in the dirt with a shovel here moley moley BONK . I’m only gonna put you in a jar and let tourists go eww at you for the next two hundred years god look at me for two hundred years I’d do anything look mummy, one of them’s licking the glass— honey it's dead velvety sweet sardined hope their ghosts are friends teeming in a molish afterlife dark and circular everything worm- flavoured tasty buggy snackerels what if you smashed the mole jar? vinegared moles spilling out flaccid & swimming everyone screaming someone saying Freddy you gotta get us a new jar of moles— —goddammit boss I never asked for any of this A jar of wet preserved moles, the jar is very full and all the little hands, feet and snoots mark it as both upsetting and fascinating
ESEH NEXTGATe@esehnextgate.bsky.social · 3w ago

Looking for European work or study opportunities in environmental history and related fields? Join our Nextgate network for early-career researchers! You will receive a monthly newsletter as well as be a part of a community listserv. To join, send us a direct message and include your email. #envhist