Douglas Wolk

@douglaswolk.bsky.social

magical language machine

Saw this 1889 Tsukioka Yoshitoshi print ("Oniwakamaru Observing the Great Carp in the Pond") yesterday, and immediately thought "Frank Miller saw this at some point and decided that the linework on the pants was the perfect inking style." No idea if that's the case, but I like my theory.

Tsukioka Yoshitoshi's "Oniwakamaru Observing the Great Carp in the Pond," from 1889.

Three of the trailers at last night’s movie included tons of reverb and minor chords added to the original vocals from a ‘70s rock hit. Future generations looking to parody 2026-style film trailers, there you go.

I have made a very silly thing; you should ask me for a copy of it if you see me at Comic-Con next week. (If you got the very silly thing I made for Emerald City earlier this year, this is along the same lines.)

Karaoke last night: "We Built This Village on a Trad. Arr. Tune," "Watch Your Step," "Say No Go," "X-French Tee Shirt," "Troubled Mind." My voice is a little shot right now but I feel amazing.

I've been trying to find out about circa-1970 pop music from various countries for a project. I keep running into a phenomenon where a song/artist is the subject of many nearly identical references, apparently paraphrased from each other, but doesn't appear to exist in any audible form.

Selling a complete reader set of Kamandi: #1-59, plus The Brave & the Bold #130 and Karate Kid #14. $180 shipped in the U.S. Beat but complete. So much glorious Jack Kirby weirdness. And check out the cover straplines:

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Think I'm going to post a handful of sets of comics for sale later today. Any requests? (Got some Kirby, a ton of X-Men and related things, a bunch of Alan Moore, complete runs of several Mignolaverse things, various long-running Vertigo titles, and much more...)