Daniel Semo

@dsemo.bsky.social

Making sounds with things. Making things with sounds.

The first time I saw Sunset Rollercoaster live was around 2010, at a long-closed venue in Taipei. The band only had a handful of songs at the time, some without finished lyrics, but they managed to drag the sparse crowd out of their nightclub booths and onto the dance floor with their big riffs.

About a year ago, I took a walk through an ecological park in Mexico City with a bird expert, who told me in passing about the "birding gender gap" - the lack of research into female birds. Since then, I've been working on an audio doc about it, now out on the BBC: www.bbc.co.uk/programmes/p...

BBC World Service - The Documentary Podcast, Birding the gender gap

An exploration of how the study of female birds is reshaping our understanding of nature

bbc.co.uk

Drummers are often the most unsung members in rock bands. Lo Zun Long is one of my favourites, and the best I've ever seen up close. I write about what makes him, and the drums, so special. Oh and pants. I write about pants. www.danielsemo.com/writing/anat...

Anatomy of a Genius in 5 Reductive Theories — Daniel Semo

He clamps into the groove and doesn’t let it go… From the beginning, I found his playing utterly hypnotic and would often stare at him for the length of the show, no matter what band he was in.

danielsemo.com

In which I go to a noise gig in the hip part of Melbourne with all the vintage shops and I'm reminded of noise gigs in the hip part of Tokyo with all the vintage shops... except for the footy on the pub screen www.danielsemo.com/writing/live...

Live Review: Otomo Yoshihide et al — Daniel Semo

A humble weeknight gig at the Northcote Social Club, watching noise artists and avant-garde composers, brings back memories of basement club nights in Koenji.

danielsemo.com

I profiled the Balinese electronic-gamelan duo Kadapat, whom I saw in an experimental music festival in Taipei last month. After hours of glitchy computer noise and black-box electronics, hearing two guys hitting bits of wood and metal with sticks was refreshing www.danielsemo.com/writing/ligh...

Light and Dark: Kadapat’s Experimental Take on Balinese Gamelan — Daniel Semo

It was about four hours into an experimental music festival in Taipei when I saw Kadapat, an electronic-gamelan duo from Bali, standing ominously on a foggy stage, striking metal and wood in complex p...

danielsemo.com

While in Taiwan recently, I interviewed Freddy Lim, frontman of death metal band Chthonic and two-term legislator. We discussed neither metal nor politics, instead focusing on Taiwanese identity, the history of the independent music scene, and, well… baseball. www.danielsemo.com/writing/inte...

Interview: Freddy Lim — Daniel Semo

For the past three decades, Freddy Lim has carved out a singular path through Taiwan’s cultural and political landscape, first as the frontman of death metal band Chthonic and later as an activist and...

danielsemo.com

For my inaugural post, I was wondering whether to go deep, snide, trivial, whimsical, or just write "Ed Balls". Instead, here's a link to some liner notes I wrote to an imagined compilation of not-greatest non-hits from the early career of a cult recording artist www.danielsemo.com/writing/line...

Track-by-Track: The Mountain Goats’ Lo-Fi Era — Daniel Semo

Liner notes to an imagined compilation of not-greatest non-hits from the early career of a cult recording artist.

danielsemo.com