Ed Solomon

@edsolomon.bsky.social

Writer/co-writer: The Christophers (2026 - now), The Spot (early 2027), Full Circle, No Sudden Move, Men in Black, the 3 Bill&Ted movies, Mosaic, Now You See Me 1&2, It’s Garry Shandling’s Show, Laverne&Shirley. Fiction: Vanity Fair, The New Yorker

Subject matter aside, this film was a massive inflection point in film. Originally called “Boy Rents Girl,” people showed no interest in going. Someone (a marketing exec?) had the idea to buy the rights to “Can’t Buy Me Love” and suddenly it tested huge and launched the idea of the “pre-sold” title.

Zack Davisson@zackdavisson.com · last wk.

A bit of a topic de jour, but a hard truth no one likes to admit is that it is not what you like that gets you bullied, it is who you are. It's a McGuffin. The film CAN'T BUY ME LOVE did a great job showing this. If the coolest kid in school likes something nerdy, the nerdy thing becomes cool.

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year Steven Soderbergh and Ed Solomons provide a vision of haughty Englishness up there with Gosford Park and Phantom ThreadSteven Soderbergh has a certain superpower, not always bestowed on even the most...

The Christophers review – Ian McKellen and Michaela Coel are the double act of the year

Steven Soderbergh and Ed Solomons provide a vision of haughty Englishness up there with Gosford Park and Phantom Thread

theguardian.com

Just saw The Christophers tonight and I loved it--Soderbergh working in the service of an exceptionally sharp, witty, original, adult screenplay by Ed Solomon and performances by Ian McKellen (spectacular!) and Michaela Coel that, like the script, deserve to be remembered at year's end. Do not miss.