elliott

@elliottgray.bsky.social

user interface designer on marathon. like a trillion bucks.

wild that i've been in the industry long enough to see the "E3 is a disgusting orgy of excess" thinkpieces morph into "the fact that we don't have E3 anymore is a damning sign of our decline" thinkpieces

sadly, i forsee that a lot of AAA devs are going to be burnt twice in this deprofessionalization era: once when they get laid off and another when they buy into the "just go indie" narrative.

mandalorian and he-man are demonstrating that the elder millennial audience is no longer capable of being a load-bearing pillar of the entertainment complex. probably going to be a tough rest of decade for 40-yr-olds who's personality is "console AAA games and blockbuster action movies"

At the height of the cinematic sad dad game craze in the late 10s/early 20s not a soul was thinking about how that kind of content becoming popular was a huge red flag for the future prospects of the traditional console games biz.

i see this year's big scary powerpoint deck has dropped so it's a good time to remind everyone that the author was considered to be "one of the leading minds of the metaverse" from 2020-2024.

Bild

crypto bros experiencing a real monkey's paw moment because while it turns out Bitcoin was very ahead of it's time as a degenerate speculative financial instrument, between options trading, sports betting, 24/7 prediction markets, etc. it's now the most boring game in the casino it helped build

this is a guy in 2016 taking the same turn on angeles crest highway, almost 90 degrees coming out of the tunnel. by the time you can actually see the road again it's too late to figure out that you can't take this at more than 60mph.

every year the game award reaction thinkpieces get more and more hyperbolic. we might be at horseshoe theory levels given that there's a popular one this year that straight-up suggests that the audience for the show is sub-human.

not sure if this makes sense but the thing i like about daft punk's work on tron legacy is that it's "what if daft punk did a movie score" as opposed to tron ares which is "what if a movie score was a NIN album"

i'm surprised there hasn't been more writing on how the boom/bust cycle of the marvel film biz basically mirrors the 90s comic book industry crash? like even down to the infinity gauntlet marking the top of the boom period, preceding endless crossovers and gimmicks that crashed the industry.

there was a five-ish year stretch where i was designing almost all the non-licensed merch, designing all of the signage and video displays, and also physically working the booth from show open to show close at the pax west bungie store booth good times but pretty much burned me out on cons forever

every year i get a couple twitter or linkedin dms with unsolicited "UX case studies" and every time they consist mostly of a bunch of new feature wishcasting and very little UI/UX work.