Eoin Price

@eoinprice.bsky.social

Shakespeare troll, now in Scotland https://www.ed.ac.uk/profile/eoin-price Reprints and Revivals of Renaissance Drama out now with CUP https://www.cambridge.org/core/books/reprints-and-revivals-of-renaissance-drama/061B68B70ADC59CD5A6D9C3A0F9C0D40

Does anyone know why the Irukandji jellyfish venom is so strong? What possible purpose could it serve? Or is it just a weird quirk of our physiology that it has such an absurd effect on humans? Am genuinely interested to know, should anyone have an answer.

This is tonight. If you are in Edinburgh why not come along to hear about & then to see, this still very resonant & powerful tragedy. Oh, and it's in a church, if that adds interest (I think it does).

Scottish Network for Religion & Literature@religionlit.bsky.social · 4w ago

Tonight! A rehearsed-reading performance of Marlowe's Dr Faustus as part of the Festival of the Sacred Arts. SNRL is hosting a panel event from 6-7pm before the play, with @eoinprice.bsky.social and two of the cast members. Book tickets: www.edfringe.com/tickets/what.... @uoedivinity.bsky.social

Don't know if it serves a good pedagogical purpose but I wrote one page introductions to each of the plays on the new early modern drama course, largely contextualizing each play (who performed it/when/where/why it might matter plus brief overview of some of the main issues). I enjoyed it, at least

Every time I see a story about audience membera fainting (latest - Cleansed at the Almedia) I wonder about the fainter's playgoing experience. Are they angry, disappointed, embarassed? Are they pleased, moved, excited? How do they feel after having had such an intense reaction?

Christopher Nolan is going to do the Illiad next but he's decided against using Emily Wilson's translation and will instead go straight to the original source: Jennifer Lopez's first edition.

Reading Emily Wilson's review of Nolan's Odyssey (which I have not yet seen) reminds me of the discourse around Thomas Heywood's spectacle Red Bull plays in the 17th century. Like Nolan, Heywood took on Greek myths & was accused of favouring noise & spectacle over supposedly literary qualities.