ergot.

@ergot.bsky.social

https://www.ergot.press/ : Innovative literary horror and weird fiction : : New work each Friday : : Submissions OPEN : : A paying venue : : Merch https://www.teepublic.com/user/ergot : : Edited by https://bsky.app/profile/perfidiousscript.bsky.social :

A more credulous man than I might have assumed that, here in the Singularity, with nations of LLM geniuses working round the clock to churn out decades’ worth of code in hours, the text note-taking app of the world’s largest software corporation would sort of basically function.

#bugsky (is that a thing?) I have an indoor potted plant that occasionally shows evidence of being eaten (leaves chomped) and recently a small stem cut clean off. Weeks pass between these incidents. I have no pets. No other plants have this problem. What's eating my plant?

There’s a great, upside-down pleasure in reading a book so well-suited to your tastes that not having read it already feels like some kind of cosmic joke

Completely stunned. @thomasha.bsky.social's Uncertain Sons is a World Fantasy Award finalist in Collection, and Long Fiction. Best Weird Fiction of the Year, Vol. 1 is a finalist in Anthology, and Jocelyn Szczepaniak-Gillece's St. Dymphna’s School for Borderland Girls is a finalist! bit.ly/4fS9xoP

2026 World Fantasy Awards Finalists

The World Fantasy Awards ballot for works published in 2025 has been announced. The awards will be presented during the 2026 World Fantasy Convention, scheduled for October 22-25, 2026 in Oakland C…

bit.ly

"We go slow with our fingers, until there is so little space between us and them that the only thing left is their death." New today at AC: "How We Eat Them Is with Our Tongue," a beautifully visceral or viscerally beautiful work by Niles Baldwin you won't want to miss & will dream about afterwards

NILES BALDWIN / HOW WE EAT THEM IS WITH OUR TONGUE — always crashing

We kill whatever bugs love our lamplight the most. We go slow with our fingers, until there is so little space between us and them that the only thing left is their death. We move so slowly that even ...

alwayscrashing.com

I have the word count and enough stories I’m stoked on for a full-length collection. Gonna add a few more before I start looking for a home for it, but I’m pumped. Been a long time coming

sometimes a story choice is rooted in experience or a research rabbit hole, for sure. sometimes a writer gets a thrill sharing something that intrigues them, dope. but sometimes choices are a gut move. a dream. the subconscious. that still happens. ability to rationalize isn't proof I'd rely on.

i think people advising that authors are going to be ok because they can explain their creative choices better than a slopper are coming from a good place (and prob mostly right!). but boy do i hate the presumption that writers have to rationally talk through the minutiae of their creative choices.

A plea to everyone who writes cover letters to editors: be yourself. Formal language begins to feel like the province of the soulless more than ever before, and also, I just want to know you and trust in your word, and formality shields me from that. This has been a fuck ai subtweet, thank you

I’ve been working on something about 21st century weird fiction and this idea of “new weird” (no) as being about acceptance/belonging but now it’s just going to feel like a grumpy response to this piece. Also I’ve been feeling very blasé about my whole schtick. Writing, who needs it

Tricking myself into writing by pretending to write. Making notes for novels I’ll likely never write. Lying in the garden, ill but okay, reading The Magic Mountain when I’m supposed to be reading The Veldt Institute. Now posting instead. Sunny, warm but cooler, as the breeze gadabouts the bushes.