Factory Gothic / Bridget Marshall

@factorygothic.bsky.social

Sharing 19th-century Gothic industrial research Dr. Bridget Marshall (she/her), Professor of English, University of Massachusetts, Lowell Books: https://www.uwp.co.uk/book/industrial-gothic/ and https://www.uwp.co.uk/book/mary-elizabeth-braddon-marshall/

Delighted to find reciprocard.com for more Libby access. For #Massachusetts folks: anyone who lives in or is a student anywhere in Massachusetts can get a Boston Public Library @bpl.boston.gov e-card, which gives access to some great historic newspaper databases, too! www.bpl.org/your-library...

Your Library Card

Your Library Card Getting a Library Card …

bpl.org

Andromeda Yelton@thatandromeda.bsky.social · 4w ago

OH MY GOD EVERYBODY I just learned about reciprocard.com , which lets you enter your public library and find out all the places you can get a card on Libby. I had not known my Minuteman card actually gave me *every network in the state*, including the flawlessly-named CLAMS?!?!

We want hear about your critical practice, your pedaogical reflections, your case studies, your collabs, particularly in a relation to these times/spaces of crisis. You can be a "traditional" HE/FE lecturer, work in a prison, work in community centres, outreach, online, in-person - a very broad cfp!

Factory Gothic / Bridget Marshall@factorygothic.bsky.social · 3w ago

Do you teach courses or modules on the Gothic? @jendeavour.bsky.social and I would love to hear from you for an edited collection we're developing: New Approaches to #Teaching the #Gothic! Full info here: call-for-papers.sas.upenn.edu/cfp/2026/07/... Message or email us with queries or proposals!

July 4th options: 1. Is it 1882? Check out the Balloon on Boston Common! 2. Is it 1840 - 1856? Visit the Lowell Museum, first opened on July 4th 1840. Mill Girl Susan Brown visited on July 4th 1843. 3. Are you Nathaniel Hawthorne? Happy Birthday! Go eat gingerbread & see a monkey, as per your diary.

Black and white stereoscope featuring men and women in formal dress on Boston common and a giant balloon in the middle. 
https://antiquephotographicscollections.com/category/ballooning/keyword-ballooning/massachusetts-balloons/Advertisement for the Lowell Museum, with lots more information here: https://libguides.uml.edu/early_lowell/Lowell_Museum this ad is from later, but it first opened on July 4th 1840. Susan Brown diary is here: https://libguides.uml.edu/c.php?g=542633

Hawthorne's diary entry here: https://biblioklept.org/2016/07/04/nathaniel-hawthornes-journal-entry-for-july-4th-1838/

Thoughts on whether this letter's date is 1847 or possibly 1849? She writes "I expect to be married Tuesday morning if nothing happens to prevent." Records indicate she was married in November of 1849. So curious to know if something (and what!) happened in 1847, or if the letter is from 1849.

handwritten letter dated from Lowell Oct 27 [or maybe 29?] 1847 [or maybe 1849?]
Dear Brother
You'll excuse me as I trust....excerpt from handwritten letter reading "I expect to be married next Tuesday morning if nothing happens to prevent..."

Excited about this Nov 1849 letter from someone in Lowell in which they explain "I got Currer Bell's Shirley this morning -- its more voluminous than Jane Eyre, containing 296 pages." Brontë's Shirley, which features Luddite uprisings, had just been published 26 October 1849. Looking for more info!

clip of handwritten letter: "I got Currer Bell's Shirley this morning -- it's more voluminous than Jane Eyre, containing 296 pages" [note that the number is difficult to read -- I think it's 296, but welcome other interpretations]

In "May-Day Musings" Lowell Offering contributor Serena wrote that "My ramblings are limited to the walls of a factory; yet, in thought, I wander to far other fields and other forms and scenes surround me." Although "buried deep within the walls of a factory," she thought of flowers & friends.

text of "May-Day Musings":
"It has come at last, the long-anticipated day of flowers; and those, free to roam in search of nature's jewels, doubtless regret its dullness and gloom, and that the sun refuses to open, with the warmth of its beams, their bright petals. To me it matters not; yet for others' sake would I it were warm and pleasant, fit for even a May-day walk. My ramblings are limited to the walls of a factory; yet, in thought, I wander to far other fields and other forms and scenes surround me."

Full text available here: https://archive.org/details/lowelloffering00farlgoog/page/n163/mode/1up"'Tis changed now, and the members of that scholar-band are scattered, O how widely! Even in the far-off Arkansas, one of our. number this day plucks this day the bright-hued flowers of a southern clime, while I am buried deep within the walls of a factory. Yet, though parted by distance, many, I ween, think now of that day as one of the happiest ever spent, and sigh for the presence of those friends with whom they held sweet communion in that May-day ramble. In my heart it will ever be cherished, a bright spot in memory's waste.

I have been thinking about this issue a lot lately, and it impacts the kind of work I can do going forward. One of my own past digital archive projects disappeared (I'm still working on recovering). I've abandoned a plan I had for a DH project even though I think it would be fun and useful.

Sharon Howard@sharonhoward.bsky.social · 3mo ago

I don't think people fully understand yet just how fragile university-hosted digital resources are after external funding ends (especially if the lead academic retires or moves or is made redundant).

Today I'm transcribing some "mill girl" letters from Harriot Curtis to Mehitable Eastman, in which I've discovered a huge rift between Curtis and Farley, the co-editors of the Lowell Offering: “Every time I have met Miss F. there has been some new and unexpected development of her rascality!”

I'm having a wonderful and busy week in Portugal. I have five talks in five days here at the University of Minho in Braga (thanks, U Minho and Erasmus!). I had a free day today and filled it with a ton of museums, gardens, and churches. It is an incredibly beautiful and historic city.

poster for "Work in Progress Seminars" for the GAPS group at U Minho. Bridget Marshall 17 April at 11 am.photograph of the Cathedral of Braga -- Sé de Braga -- an enormous stone building with arches, metal gates, and bellsPhoto of the courtyard in Biscainhos Museum, Braga. There is a fountain in the middle, bright yellow walls and red tiled ceiling.photo of Braga's Garden of Santa Barbara, featuring pointed arches in the foreground and an imposing castle with pointy tops behind.

Woohoo, here's my essay with my fav co-author on 30,000 fellowship wins across the Guggenheim, Stanford CASBS, NAEd, National Humanities Center, RSF visiting scholar, and Harvard Radcliffe. Spoiler: it's the people working at prestigious universities www.publicbooks.org/who-gets-gug...

Who Gets Guggenheims? - Public Books

Unfortunately, 100 years of data show that those whom such fellowships might represent the greatest departure from their everyday experience—that is, those not at elite institutions—are least likely t...

publicbooks.org

"The Factory Girl's Bloomers" appeared in Cotton Factory Times on 8 April 1898, telling the story of Lucy and her 2 suitors. Fred gets her a bicycle & encourages her to wear bloomers, scandalizing the other suitor and all the weavers at the factory who threaten to strike if Lucy isn't fired.

newspaper column featuring the title story "The Factory Girl's Bloomers"Masthead of "The Cotton Factory Times" Manchester, Friday, April 8 1898.