FAFSWAG

@fafswag.nz

Critically acclaimed NZ Arts Laureates & Queer Indigenous, Interdisciplinary Arts Collective from the Moana. Based in Tāmaki Makaurau - SOUTH AKL IG | @FAFSWAG PRINTS | https://www.fafswag.nz/mketi/illustrations ARCHIVE | https://www.fafswag.nz/

'Only I can Name Me' 2021, Artists Elyssia Wilson Heti & Ria Hikori. Photographed by Apulu Pati Tyrell. Page design by Tanu Gago. ALTERATION: FAFSWAG Publication 2023.

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FAFSWAG: Disruption Vogue Ball Community-led, this is a creative platform for connectivity amongst pacific people navigating their unique identities within NZ's urban jungles. For White Night, these LGBTQ artists celebrated their lives at Disruption Vogue Ball. artspace-aotearoa.nz/exhibitions/...

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@tanugago.bsky.social "My whole life I’ve been enamoured by animation. Because it stems from the imagination, it became a way to interpolate reality. I’ve been attracted to it since I was a child, watching cartoons in the nineties". Tanu Gago & Raqi Syed www.circuit.org.nz/writing-and-...

EMBODIED REALITIES

A conversation between artist Tanu Gago and filmmaker Raqi Syed on the occasion of Gago's participation in the exhibition Otherwise-image-worlds (2022).

circuit.org.nz

'Only I can Name Me' 2021, Artists Elyssia Wilson Heti & Ria Hikori. Photographed by Apulu Pati Tyrell. Page design by Tanu Gago. ALTERATION: FAFSWAG Publication 2023.

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The politicians that support this should be banned from attending our art exhibitions. This is tragic... For people who have had to learn how to survive their own careers in an industry that has never had a stable pathway to sustainability, how will undermining Creative NZ affect the rest of us?

Cate Macinnis-Ng@loraxcate.bsky.social · 2w ago

Creative NZ fund all kinds of projects and activities that are so important for our collective well-being. Absolutely horrible to see them downsized like this. #NZPol

Every resource we have access too is something we fought for. Not just for ourselves either but collectively for the grater good of all Queer Pasifika people. We smashed down doors so they could never be closed behind us. Now that we have a chance to make for our selves, we will, cause we earned it!

FAFSWAG@fafswag.nz · 9mo ago

Go behind the scenes with acclaimed Arts Collective FAFSWAG, 🤩 We give you an exclusive look at our collaborative practice and the development of our powerful new work, FALE SĀ / SACRED HOUSE, for the Manchester International Festival 2025 (MIF25). Full video on YouTube youtu.be/QtwaUs16nok?...

Having gone through and archived a lot of our previously operated platforms for the sake of consolidation, but also safety. Recognising the problematic nature of documenting a community in constant states of transition has also meant doing our part to ensure dead identities remain private.

FAFSWAG: Disruption Vogue Ball Community-led, this is a creative platform for connectivity amongst pacific people navigating their unique identities within NZ's urban jungles. For White Night, these LGBTQ artists celebrated their lives at Disruption Vogue Ball. artspace-aotearoa.nz/exhibitions/...

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The Whānau Wall activates Indigenous archival practice as a living archive, expanding and contracting, responding to each location with different stories. In the Moana, a whānau wall is a familiar fixture of the Pacific home.

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Thousands of "I just discovered your account on Instagram" emails over the years. We had to set up a specific spam filter for these fake partnership deals. We always laugh at the ones who will talk about our account and have no idea what we do LMFAO. Stay woke, cause scammers never sleep yall.

YOU LOVE MY FRESH was a joint venture between Te Tuhi Centre for the Arts and Fresh Gallery Ōtara. Vacemaca Tavola, Pacific Arts Co-ordinator for Manukau City Council and Manager of Fresh Gallery Ōtara, curated the project with a view to form an ongoing relationship between the public galleries.

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Performed with my sister for my first solo exhibition at Te Tuhi centre of arts in Pākuranga in 2009. Curated by Vacemaca Tavola. Shot by Dominic Fryer and installed by James Pinker.

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FAFSWAG 2017 | Company in Residence | Basement Theatre | FEMSLICK "FEMSLICK is one of those rare works where we are well and truly welcomed into the house of the makers... it is its own beast, its own tale and its own rendering of that tale." Sam Brooks | Pantograph Punch 📸 | Māhia Tekore | FANG

A close-up, intense portrait of a performer known as Fang, crouched in a powerful, grounded position. They wear a black sleeveless top with a leather harness, fishnet leggings, and black boots. One hand holds the hilt of a sword resting across their shoulder, while the other arm is stretched out, gripping a clothing rack adorned with chains, a studded bag, and gold tinsel. Their skin glistens under dramatic teal and orange studio lighting, and they gaze directly at the camera with a piercing, defiant expression. The background is filled with textures of crumpled metallic foil and dark shadows.

The collective is often referenced mostly as a Pacific collective, but people forget that also includes Māori. Here's some work from our Takatāpui artists Māhia Tekore and Jaimie Waititi. Eye's of Khaos by Māhia Tekore 2025. These decals on the outside of ArtsHOUSE in Melbourne Australia.

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In 2025, Pati Tyrell presented a work-inprogress sharing: SAUNIGA at AsiaTOPA (Triennial of Performing Arts) in Melbourne Australia The opening of SAUNIGA re-told the legendary Samoan Fāgogo (fable) of Leutogitūpa’itea, a princess unjustly sentenced to burn to death saved by a flock of Pe'a (bats).

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The Whanau Wall will be expanding in 2026 to 60 portraits from the collective for a show in Montreal Canada. This is our installation from Kassel, Germany 2022, Trinity Square in Toronto in 2023, and the Substation in Melbourne Australia in 2024. Enjoying the evolution as it travels.

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