Fast Tunes Ltd

@fasttunesltd.bsky.social

We are Fast Tunes, the smallest recording organisation in the world. Twenty-five years ago, give or take 6 months, vintage telly nerds Gavin Sutherland and Martin Fenton started compiling a list of broadcasting-related things they’d like to record.

Corporation Tax collywobbles: 1. File tax return in timely manner. 2. Wait a year. 3. Get fined by HMRC for not filing. 4. Send HMRC proof that you did, in fact, file your tax. 5. Get a letter saying you need to file your tax for ONE DAY last year. And so it goes…

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Spare a thought for Arthur Wood, a jobbing library music composer who had only just started receiving appreciable royalties for his work when he died. The theme tune to The Archers. Has there ever been a complete recording of My Native Heath? I only know of recordings of 3 of its 4 movements.

In the silent version of Blackmail (1929), the Whites’ loaf is sliced lengthwise. They must have had a huge toaster. In both versions, the knife is revealed to be clean after the murder. This means that Mr Crewe was cooked through.

Still from the silent version of Hitchcock’s Blackmail showing a psychopath’s method of slicing a loaf.

“I’d like to publish the sheet music, Gordon.” “Get onto Hamlyn’s, Freddie. They’re doing the printed merch.” “Won’t they package it as a children’s book? The music is a bit advanced for children.” “It’s 13 bob a copy, Fred. Everybody’s got to learn somewhere.” I’m 49 and I’m struggling with it.

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TV in the background, 20 years ago: “We’re introducing the new Sugababe. And you are…?” “I’m deranged!” At least that’s what I thought she said. I’ve just found out she was actually called Heidi Range. Me with my finger on the pulse of the zeitgeist, there.

I seem to have inadvertently attracted some of the best minds when it comes to TV music. Yes, that almost certainly means you. Could you help me with a childhood memory? Bear in mind this is something I saw once, 40 years ago, so there will be some wrong details in there.

This time last year, we were putting the finishing touches to the mix. Mandy Watsham Dunstall contributed her wonderful vocals, Janine Fenton got to play an owl, and I was told to leave the vintage U47 alone.

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