Feileacan McCormick

@feileacan.net

Norwegian artist, researcher (and former architect). one half of artist duo entangled others. all things art, experimental, systems & ecology. stares at e-ink whilst hallucinating vividly when not creating. he/him

It's a very weird timeline in which I'm basically saying 'amen' to the pope, but eh, fine. That said, using tech as part of an artistic practice is not (necessarily) the same thing as what the pope is bashing here. A paintbrush is a technology, and as with all mediums, it comes down to the wielder.

There's always been a disconnect between the now and the idea of now we embody (McLuhan posited a 50 year lag), arguing that our world has compressed that, there's still the claim to be made that we generally suffer from "tech-lag" on the whole (jetlag-like disorientation at perception vs. reality)

awake, caffeinated, thinking about when exactly does information transition into memetic form. Is it upon its initial "publication", or upon dissemination? Must it be replicated by others (hosts) before it qualifies?

Is practicing gardening* the only way through? * a prolonged process & practice of maintenance, preparation and nurture (i.e. slow, delayed rewards and anticipatory long-term thinking)

It's easy to be negative in the face of what seems like a turbulent, uncertain future. That said I think we should fight to nurture wonder and a sense of openness about what our futures could embody, from there it might not be easier, but it sure is more motivating.d

Bild

The last couple of years I've been obsessing over exploring (especially ML) algorithms at their most minimal, where compression bleeds into noise. nathan.rs/posts/gzip-lm/ underlines in a very tangible way just how fascinating the edge between compression and information can be.

Can gzip be a language model?

A while back I wrote about language modeling without neural networks, where I generated Shakespeare with an unbounded n-gram model: no weights, no training, …

nathan.rs

Now, more than ever, nurturing community (especially physically) is more important than ever in order to have a foundation resistant to whatever fresh virtual shoggoth emerges with curious gifts and experiences.

There’s a lovely kind of full circle moment today when I realised that for the first time in 15 years I’m collaborating with a dear, old friend … once again on video (me) and sound (him) in a former, converted grain silo

One of the (many) things I'm immensely grateful as an artist is those moments that offer the opportunity to imagine something slightly different, and then bring that into being. It's akin to adding a line of verse to an epic poem: the story of the space/site as a common weave we might add to.