Flow

@flowtv.bsky.social

Coordinated by Radio-TV-Film graduate students at UT Austin, Flow Journal's mission is to provide a critical forum on the changing landscape of contemporary television and media. www.flowjournal.org

Benjamin M. Han argues that while one might be inclined to identify specific elements of the film that appeal to the global audience, Kpop Demon Hunters prompts us to examine questions of national identity in terms of its Koreanness. Read it here: tinyurl.com/3usj4n4w

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In "Yet Another KPDH Thought Piece: Socially Conscious and Popular?" Dr. David Oh investigates how Kpop Demon Hunters has managed to maintain its popular status despite the film’s counterhegemonic tendencies. Read it here: tinyurl.com/3tjkm5kt

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Kallia O. Wright analyzes Dr. Bailey’s heart attack in Grey’s Anatomy, revealing how racial and gender stereotypes shape Black women’s medical treatment and self-advocacy within biased healthcare systems. Read it here: tinyurl.com/3vyahe9b

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Jennifer M. Kang argues that Kpop Demon Hunters exhibits how “K-pop aesthetics” have become a shared cultural resource, complicating discourses surrounding ownership, global-local identity, and the future of the Korean Wave Read it here: tinyurl.com/425kymuu

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Christine J. Cynn & Maggie Bertsche examine VCU’s East Marshall Street Well Project, uncovering racist histories of anatomical dissection & exploring current community-led efforts toward ethical research and reburial of stolen remains Read it here: tinyurl.com/yb43f64y

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Examining South Korea’s rapid economic ascent, Gil-Soo Han reveals how “nouveau-riche nationalism” collides with migrant realities. Centering on the Naju forklift abuse case, he exposes how economic pride and social hierarchy intersect Read it here: tinyurl.com/5ywctjz5

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Golden M. Owens reinterprets Rosey the Robot as a futuristic Mammy figure, linking domestic servitude, robot etymologies, and animation history to show how racialized labor logics persist beneath the surface of family entertainment. Read it here: tinyurl.com/56v38frs

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Anna Lovatt traces how artists from Mimi Smith to Letícia Parente used television and video to redraw the boundaries between art, media, and everyday life. The column reveals how the “screen age” has transformed drawing Read it here: tinyurl.com/3knva3wp

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In his analysis of K-Pop Demon Hunters, Dal Yong Jin challenges theories of “odorless” hybridity, arguing for a politicized model of cultural mixing that keeps local specificity visible while negotiating unequal global media power. Read it here: tinyurl.com/2xft2667

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From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle Read it here: tinyurl.com/h7epx33m

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Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion. Read it here: tinyurl.com/5y7y4cax

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Flow is experiencing some unexpected back end issues which have resulted in the site currently being down. We are doing our best to get this resolved as quickly as possible. Thanks to those who have already reached out!!

In "Welcome to Wrexham and Representations of Management in Football (Soccer) as a Product of the “Media Sports Cultural Complex”" Andrew Stubbs-Lacy explores representation & construction of management in football with a focus on Welcome to Wrexham. Read: tinyurl.com/4z7wkuk8

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Dr. Newman explores the use of camera looks in sitcoms like Abbott Elementary as a comedic device. Establishing direct connection with the audience, blending traditions of comedic performance that invite viewer participation & emotional response. Read it here: tinyurl.com/4vp8uakv

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🥳New Flow?! With Michael Z. Newman, @geraldsim.bsky.social , @matthewcrain.bsky.social , Roderik Smits, & Andrew Stubbs-Lacy! Topics include: camera looks in sitcoms, advertising’s integration of AI, Big Tech’s lobbying efforts, "fair pay” in media industries, & Welcome to Wrexham! flowjournal.org

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ALT: a group of minions wearing hard hats and goggles are standing together

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Kiah Bennett examines the production culture from the perspective of across-the-line workers at the entry level in "Across-the-Line: The Invisible Labor and Cultural Mechanics of Hollywood’s Entry-Level Workforce." Read it here: tinyurl.com/8v2w8cd8 !

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In this column, Ben Rogerson offers a textual and industrial analysis of the self-reflexive Disney+/Pixar series Dream Productions and the animation unit’s short-lived approach to streaming series. Read it here: tinyurl.com/2s4c4xke

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