Following Hadrian

@followinghadrian.bsky.social

Hadrianophile "omnium curiositatum explorator" #Hadrian1900 https://followinghadrian.com/

#MosaicMonday - Mosaic of the Judgment of Paris from Antioch (Antakya, Turkey), dated AD 115-150. This panel decorated a dining room floor, redesigned after a devastating earthquake. Inspired by Hellenistic painting, the artist used opus vermiculatum to create a vivid stone-and-glass “painting.”

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#ArtefactSunday - These two quite wonderful gilded-bronze peacocks, symbols of eternal life, originally decorated the Mausoleum of Hadrian in Rome (Castel Sant'Angelo). They are believed to have stood outside the mausoleum, along the bronze fence surrounding the monument. New Wing, Vatican Museums.

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#MosaicMonday - Mosaic of Aion, the god of eternity, and Tellus, the earth goddess, from a Roman villa in Sentinum (Italy), ca. AD 200–250. Aion stands within a celestial sphere with zodiac signs, while Tellus is at his feet with four children, possibly personifying the seasons. Glyptothek, Munich.

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#ArtefactSunday - The Parabiago Plate, found near Milan from the late 4th century AD, is a masterpiece of late Roman silverwork. This decorated dish depicts Cybele and Attis in a lion-drawn chariot, amid personifications of the sun, moon, earth, sea, time, and seasons. Archaeological Museum, Milan.

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#WorldOceanDay - Two Roman altars dedicated to Neptune and Oceanus by the Sixth Legion Victrix Pia Fidelis, showing symbols associated with each deity. The altars are thought to have formed part of a shrine on the Pons Aelius bridge (Newcastle), which the legion helped build around AD 120/2.

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#TheatreFriday - The Roman Theatre in Phaselis, Lycia (Turkey), built in the 2nd century AD on Hellenistic Greek foundations, is located on a hill's western slope overlooking the central avenue. It seats about 1,500–2,000 spectators and is smaller than major Lycian theatres like Myra or Patara.

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#TempleTuesday — The Temple of Antoninus and Faustina in the Roman Forum was built by Antoninus Pius in AD 141 in memory of his wife, Faustina, and later dedicated to both after his death. Its six cipollino marble columns still dominate the Forum, and its conversion into a church helped preserve it.

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