Fred Fuchs

@fredfuchster.bsky.social

Unprofessional video game poster. #1 competitively ranked poser. Pro wrestling and Star Trek are my jam. 26.

Oh damn Dead Space was pretty good. It feels like it started as a System Shock game and got turned into RE4 midway which I understand is pretty much what happened. It gets carried a lot by how well the arsenal of weapons compliments the limb-cutting gimmick. The weapons are REALLY cool...

Along with the Goon and the Henchman I propose the Crimer: the nameless, scruffy thug in a ragged trench coat who does Crime in general, and populates the streets of any 80s action movie. He is a relative of the Terrorist, who is the same character but is exclusive to light gun games.

Serious Sam 2 level begins. Sam exits the timelock falling 50 feet in the air above the digital circus, and knocks over a stack of blocks in a rigid A pose. “Where in the bloody hell am I?” he says to a Gnaar in a ringleader’s outfit, and sees a tribe of the local Pomnis being menaced by clowns

NEW DS9 EPISODE: Nog turns out to have been learning the wrong lessons from his new, crooked commanding officer. Quark battles with his conscience and seeks out Worf's advice to do what's right for his nephew. Bashir and O'Brien trapped in 20th century Earth airplane bathroom in the holosuite

The thing that hits me about Undertale in hindsight is the rebuttal of the idea that “human nature” is evil, and instead that a lot of evils dismissed as “human nature” are not in fact “natural” at all, but learned behavior or created by context.

Here's another anim for a potential powerup I did a little while ago: de-evolution serum that makes you a snake. Based on Metal Slug 4's monkey transformation. Were I to implement this it'd be cool to leave the molted skin as a separate object on the stage, because that'd be gross.

Here's another anim for a potential powerup I did a little while ago: de-evolution serum that makes you a snake. Based on Metal Slug 4's monkey transformation. Were I to implement this it'd be cool to leave the molted skin as a separate object on the stage, because that'd be gross.