Warren Hatter

@frenchrocksampler.bsky.social

Brighton, East Sussex. I write about the French equivalent of Krautrock. 25 @ResonanceFM shows: bit.ly/FRSradio Concrete Science Fiction Riot forthcoming on Strange Attractor

Not sure how @luketurner.bsky.social and @jahduran.bsky.social will feel about EasyJet keeping the ploughman’s dream alive but with crackers not bread

EasyJet inflight magazine offering a Ploughman’s snack box. Bland-looking photo with appetising description (“Rich, creamy cheeses, sharp pickles and the crispiest of crackers. Just call us cheesyJet”)
Luke Turner@luketurner.bsky.social · 3w ago

In July's pod @jahduran.bsky.social & I aren't discussing an LP, film or telly series, but a threatened cultural artefact dear to our hearts: the ploughman's lunch. Tune in as we discuss the ancient origins of a vernacular meal revived by post-war cheese suits: thequietus.com/subscriber-a...

A classic. And ‘Le Goudron’, one of the extra tracks not on the original album, is blinding youtu.be/aZt9qcQy51o

Le goudron

YouTube video by Brigitte Fontaine - Topic

youtu.be

Observations of Deviance@obsofdeviance.bsky.social · 2w ago

Brigitte Fontaine "Comme à La Radio" @wewantsounds.bsky.social "reissued featuring 11 bonus tracks... rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing" the Art Ensemble of Chicago www.forcedexposure.com/Catalog/font...

Double LP version. Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and the late Areski Belkacem. The booklet also includes complete lyrics and a selection of rare archival photographs by Jean-Pierre Leloir and Philippe Gras. Comme à la Radio was originally released in 1970 on Pierre Barouh's cult Saravah label, fusing Fontaine's radical lyricism with Areski Belkacem's minimalist compositions and the fearless improvisations of the Art Ensemble of Chicago and Wadada Leo Smith. Its title track has since become a cult classic in jazz and groove circles. The album has been newly remastered from the original tapes and is reissued featuring 11 bonus tracks. The original album is presented in restored clarity, while the bonus tracks gather rare non-album singles, English-language takes, alternate versions and previously unreleased instrumental recordings showcasing the Art Ensemble's artistry, including the elusive English version of Comme à la Radio, and a striking early version of "L'été L'été." Comme à la Radio stands as a visionary landmark of French music and a defining statement in Brigitte Fontaine's career. This expanded edition confirms its enduring influence more than fifty years after its original release. The reissue is announced alongside its companion Comme à la Radio On Air, a deluxe 2-LP set presenting previously unreleased ORTF live recordings and additional studio rarities.

BRIGITTE FONTAINE

Comme a La Radio

Edgard Varèse! Olivier Messiaen! Eliane Radigue! Pierre Schaeffer! Pierre Henry! Jac Berrocal! Thierry Muller! Philippe Besombes! Jean-Louis Rizet! Jean-Hervé Peron! Christian Vander! Jean-Pierre Turmel! Yves Von Bontee! Your boys took a hell of a beating!

Three months after the Prekop and Raffa album, another beautiful thing from Crash Symbols, this one ambient and smothering crashsymbols.bandcamp.com/album/lunation

Lunation, by Bára Hladík & PJS

2 track album

crashsymbols.bandcamp.com

Warren Hatter@frenchrocksampler.bsky.social · 6mo ago

Everything about this tape is beautiful crashsymbols.bandcamp.com/album/only-c.... By @rjraffa.bsky.social @1sampre.bsky.social on Crash Symbols out of West Virginia. The label is open to UK/EU distribution so raise your hand if you might be able to help.

Using Spotify is just as bad as using X, in some aspects, even more consequential: Spotify is actively killing music, not just exploiting musicians. All other streaming platforms are better, and have as wide a choice. Migrating your playlists is dead easy. Please leave that evil platform - now.

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