Georgie Carr
@georgiecarr.bsky.social
PhD in Film Studies at University of Sussex. Media historian researching policing, cinema & urbanism. Writer and film critic, the TLS and Another Gaze.
Very happy to be in the summer issue of Bookforum. I wrote about the film critic David Thomson, both his wonderful and crazy The New Biographical Dictionary of Film and his disappointing new book www.bookforum.com/print/3301/m... Thank you to Michael Miller for the commission and beautiful edits
bookforum.com
"What might result from a refusal to confront a novel that pursues, unfalteringly, the conflicting impulses of obsessional love: a novel structured by and centred on the theme of confrontation?" I reviewed Emerald Fennell's "Wuthering Heights" for Another Gaze www.anothergaze.com/wuthering-he...
Two new books from the brilliant A.S. Hamrah, one review essay by the brilliant @georgiecarr.bsky.social @lareviewofbooks.bsky.social lareviewofbooks.org/article/as-h...
The End of Cinema? | Los Angeles Review of Books
Amid cinema’s decline, two new books by A. S. Hamrah resist defeatism.
lareviewofbooks.org
I am very happy to be in the @lareviewofbooks.bsky.social this week reviewing two new books on the state of contemporary cinema by the great critic A.S. Hamrah lareviewofbooks.org/article/as-h...
The End of Cinema? | Los Angeles Review of Books
Amid cinema’s decline, two new books by A. S. Hamrah resist defeatism.
lareviewofbooks.org
This looks like a good article - looking forward to reading it, thank you :)
Georgie Carr@georgiecarr.bsky.social · last yr.My article—Coercive cinema: police film in schools, 1966–75—has been published in SCREEN. I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema. academic.oup.com/screen/artic...
My article—Coercive cinema: police film in schools, 1966–75—has been published in SCREEN. I argue for a greater focus on both the ideological power of the police and the coercive affordances of cinema. academic.oup.com/screen/artic...
Coercive cinema: police film in schools, 1966–75
Screen studies theorists have long maintained that the cinematic apparatus is geared towards the production of consent.1 But such a focus can risk developi
academic.oup.com