Hannah Fox

@hannah-sakura.bsky.social

PhD researcher interested in world literature, literary representations of print cultures, and censorship. Coffee lover, plant collector, bibliomaniac.

I really enjoyed reading ‘On the Greenwich Line’ last year so I’m pleased to see it’s been shortlisted for the EBRD Literature Prize. I also just finished reading Uzbek novel ‘We Computers’ yesterday, which is also on the list. Looks like I should check out the other titles from the shortlist!

The EBRD@ebrd.bsky.social · 4mo ago

On the Greenwich Line by Shady Lewis (Egypt), translated from the Arabic by Katharine Halls and published by Peirene Press #EBRDLiteraturePrize2026

This is fascinating by @liverpoolpost.bsky.social - I’d always wondered why so many Christmas treats involve raisins/ dried fruit. My only criticism of the article is the tone is perhaps overly celebratory of the role of Liverpool without enough attention on the slavery enabling this. bit.ly/3L8nK5E

How Liverpool invented Christmas

Every Christmas pudding tells a story of Liverpool’s innovation, enterprise and ambition — with a large helping of exploitation too. Did our modern Christmas start in our docks?

bit.ly

What a literary treat to see the latest mini issue of the Markaz Review with a focus on Kurdish literature - I may be biased as I consider Aryan Omar Hassan (of @henarpress.bsky.social) a friend, but his review of the novel “Hyper” by @agri.bsky.social is hilarious. themarkaz.org/agri-ismails...

Agri Ismaïl's Hyper is a 21st Century Kurdish Crucible

Kurdish writer Agri Ismaïl’s debut novel is nothing short of a literary miracle, suggests reviewer Aryan Omar Hassan.

themarkaz.org

Today’s the first day of Autumn, so I thought I’d share this beautiful poem by Kurdish poet Qubad Jalil-Zada: کزەی پایز بەڕێوەیە دارستان لەبری خۆی داپۆشێت، خۆی ڕوت دەکاتەوە. The cool breeze of autumn is coming but instead of covering herself, the forest is undressing.

Looking forward to the next book club hosted by The Markaz Review. I loved reading Sand-Catcher and found it surprisingly funny as well as moving.

The Markaz Review مجلة المركز@markaz-review.bsky.social · 11mo ago

🗓️[UPCOMING EVENT] Join us on Sept. 28 at 1pm EST for #TMRBookClub! We’ll discuss “Sand-Catcher,” (@coffeehousepress.bsky.social) a moving fable of Palestinian memory. Author Omar Khalifah and translator Barbara Romaine join us. Hosted by @bookfabulous.bsky.social 🔗 us02web.zoom.us/meeting/regi...

This article in The Guardian on the launch of GlobeScribe is worth reading. Ian Giles, chair of the SoA's Translators Association argues Globescribe “may claim to unlock global access for fiction, but their approach sidelines the very people who make literature resonate across cultures"

AI translation service launched for fiction writers and publishers prompts dismay among translators

UK-based GlobeScribe is charging $100 per book, per language for use of its services, but translators say that nuanced work can only be produced by humans

theguardian.com

Jan Dost: “We wrote novels and poetry collections in our mother tongue without ever studying it at school or university… It’s what I call a shadow literature." Interesting article on the politics & personal tensions of writing in Kurdish & Arabic. bit.ly/43zbB0x

Jan Dost on writing in Arabic and Kurdish: "Like being caught between two magnets" | Qantara.de

"Safe Corridor" is Jan Dost's first novel translated into English. The prolific Syrian writer explores the hardening impact of war on children and discusses the key differences between writing in Kurd...

bit.ly

🔥 GIVEAWAY 🔥 Feeling lucky? We're giving away 5 copies of 𝘙𝘰𝘫𝘢𝘷𝘢 𝘪𝘯 𝘍𝘰𝘤𝘶𝘴: 𝘊𝘳𝘪𝘵𝘪𝘤𝘢𝘭 𝘋𝘪𝘢𝘭𝘰𝘨𝘶𝘦𝘴! To enter, follow AK Press and share this post. Shipping to US & Canada, but we'll send an e-book if you're somewhere else. We'll announce the winners 2/18 (release day!) www.akpress.org/rojava-in-fo...

A copy of the book Rojava In Focus: Critical Dialogues edited by Cihad Hammy and Thomas Jeffrey Miley sits on a background of green grass. The book cover features an illustration of a tree and a bird against a desert background.

Reflecting on the books I read last year, one of my favourites was 'My Friends' by Hisham Matar. I found myself pausing on page after page to take in the gentle poetry of Matar's descriptions. The book is a beautiful exploration of the fragility of friendship in a context of exile.

A paperback copy of ‘My Friends’ by Hisham Matar on a table.

‘Someone in prison fears being forgotten, fears that their voice won’t be heard. People would tell me during visitations, “Your books are being read.” “They’re being translated into different languages”.. Knowing this gave me immense strength.’ - Kurdish poet, İlhan Sami Çomak bit.ly/4f9lNPs

'I spent 30 years in prison imagining becoming a free poet'

Kurdish poet İlhan Sami Çomak, 51, was freed last week after serving 30 years in prison.

bit.ly