Dr Hanife Schulte

@hbschulte.bsky.social

Scholar and practitioner of theatre and performance Researching the arts, politics, the city, and audiences through ethnography

🚨The world —here and there— has been showing, at an alarming speed, more and more examples that there is no clarity, no understanding, no thinking, no seeing, no learning, no prevention, and no care with definitions.🚨

Secondhand books come with memories. The Women in Black by Madeleine St John came with a handwritten postcard from July 18, 2013: “Thanks for […] sharing your London. See you soon in Melbourne.”

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🌟ALWAYS REMEMBER🌟 makes me forget all of my favorite books. It‘s deep as philosophy books, poetic as poetry books, beautiful as works of art, and so sophisticated with such a simple approach! You can be 8, 18, 80, whatever, and whoever. Just re/read it to feel something in a heartless world!

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The Brecht Yearbook 50 is out. It feels great holding a copy of it and seeing my article in it. The Mother in 1930s Berlin was not just a play, it was a political movement. And Elisabeth Hauptmann and Helene Weigel played significant roles in it. 🌟🌟

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Our next Quorum event is this Wednesday (29th Oct) when we'll be presenting a talk by Professor Nicholas Ridout on theatre and the presence of the dead in modern life. (Spooky!🎃) Starts 5.30pm, either in-person at QMUL's Mile End campus or online. Register here: www.eventbrite.co.uk/e/nicholas-r...

Nicholas Ridout: "The dead are always with us, or the theatre of modernity"

Quorum welcomes Nicholas Ridout, Professor of Theatre at Queen Mary University of London, for a seminar on the topic of theatre and death.

eventbrite.co.uk

I’m imagining a book a painting a play a song an aria a poem a novel a story a film a dance piece a sculpture a photograph a drawing a stage performance a recorded performance a site-specific performance a durational performance called TYLENOL. You take one, and pain goes away!