Helga

@helganr.bsky.social

💻 Psychological Thriller / Mystery / Horror Writer ✍🏼(WIP: 4M+ Words), Multi-Book Series 📝Status: Draft 5 (Full Series Rewrite)

I need to give myself more grace. Every task for my WIP series gets multiplied across every book because I'm developing them in tandem. Then I wonder why I can't move faster. Because every task, as small as it is, gets multiplied exponentially. Every single time. Been this way for seven years. 😅

So I'm going to clear my agenda and just focus on my WIP series for the week. I basically have two goals. The first is to clean up the draft for each book in my series in prep for the rewrite. The second is to finish brainstorming full character arcs for each supporting character in the series.

The advice to not split your time among multiple projects is interesting. These past two weeks I dove into some business ventures and realized they distracted me from my main project. But working on standalone novels a few months ago paid off as it has really improved my WIP series. So it depends.

Took me about a year away from Season 2 of my WIP-series to realize that there is a book slotted in there that should be pushed into the next season. Leaving an empty slot in S2. 😒 Now, I have the original book from S2 that filled the space. Problem is, it was more of a side quest so I removed it.

I have this obsessive need to know all my characters down to the bone. Grueling work, but once it's done, it's THE most satisfying thing in the world. It's like, finally, I get to really build this story with the full character palette.

I would need an entire Ted Talk to explain it, but I thought my problem was "too many characters" or "too much structure for secondary characters." It wasn't. The fix was making every arc and interaction count, revealing things once at the right moment, and cutting repeated beats.

Interesting timing too because I just watched a YouTube video where a writer talked about quitting their debut novel over similar issues: Too many characters, thinking everyone needed an arc, too much bloat, etc. I was like, "Girl. Same." Except, I came up with a solution. Definitely never give up!

Finally figured out my issue with characters. I make them super functional in all kinds of ways, but I often end up proving their function too many times, which bloats the story. The answer? Use one meaningful beat instead of several to accomplish the goal. Cuts the narrative weight dramatically.

These are not actually character profiles in the traditional sense. They are more like maps that outline how each character functions and transforms, per act, across the book. In Book 1, character arcs have the same "surprise" factor as the murder mystery so I'm painstakingly sculpting each arc.