Ian Austen

@ianausten.bsky.social

Canada Correspondent, @nytimes.com. Mostly photos, mostly made on film, a lot of it large. austen@nytimes.com

The pay phone photos started during the pandemic with the now gone booths along Hwy 60 in Ontario's Algonquin Provincial Park. While one of the first photos was of a booth at the West Gate, I somehow never noticed this one inside the park office there (RolleiflexWide, Zeiss 55mmf4 Distagon, Tri-X)

A Bell payphone is mounted on a wood covered pillar in a glassed-in entrance. An oval light is above it and maps and a bulletin board are mounted to the left. Outside a kiosk with notices is visible. There is an empty telephone directory case under the phone.

The Algonquin Lunch Bar and Gas Station in Whitney, Ontario. The food is quite good but it lost its payphone long before I started photographing them. (Rolleiflex Wide, Zeiss 55mm f4 Distagon, Kodak Tri-X)

A large manhole and two small circular metal covers are in a cement platform in the foreground. A traffic cone sits within them. Behind are three tall vents. Further back is two dogs leashed to a very rustic wooden rail fence. Back further still is a quonset hut. Finally there is a row of trees.

Back to Australia, where payphones are free for domestic calls and well maintained. Ricky-Lee and Tim, it seems, are radio show hosts in Sydney. (Hasselblad SWC, Zeiss 38mm f4.5 Biogon, Kodak Tri-X)

A payphone kiosk in a plaza with a tram in the backgorund. The tram is wrapped with photos of a man and woman and says Ricki-Lee and Tim, New for Breakfast, From 6 am.

The daily police line just beyond the finish line at the Tour de France in 2003. The number of police officers grew that year because of animosity toward Lance Armstrong, particularly from French spectators, and a surge in his supporters from the United States. I can't remember where this was shot.

A number of Gendarmes lined and facing in two directions. All of them are wearing blue, shirt sleeves and képis. One is staring into the camera in a less than friendly way. Behind is a grandstand with vertical yellow banners. To the left in the distance is a silver archway that marked the finish.

Unusually for odd things on a downtown Toronto sidewalk, this this box of globes and the pile of fake greenery did not appear to be linked to any film crew. (Leica M Monochrom, 24mm f2.8 Elmarit ASPH)

A tall cardboard box filled with globes and their stands sits on a small trolley in front of a stone wall. To its right are artificial evergreen bowes.

The Simpson Tower, Toronto. Behind those doors is the now abandoned Hudson's Bay Company flagship store. The tower was the head office of Simpson's which was acquired by HBC which made it its HQ. Ken Thomson, then Canada's richest man, kept his office in it. (Leica M Monochrom, 24mmf2.8 ElmaritASPH)

A pay phone sit inside a shiny metal frame and is surrounded by a metal bezel. to the left are frosted glass doors, brightly lit from behind. A tape barrier is blocking them. The floor and walls are polished stone.

The entrance to La Lune Rotisserie, Montreal. While is it a genuine Nortel "Centurion" payphone with legit, if old, Bell Canada notices, it appears to be a decoration. There is no dial tone. (Leica M Monochrome, the M9 version, 35mm f2 Summicron v2)

A black Bell Canada payphone with a plastic outer case against a wall of black shiny tiles with white groat. A bit of the exterior can be seen through a glass door at the left.

Just off of Picadilly Circus, London in March. The notice on the hoarding has something to do with a pay phone. But I was rushing to photograph as many pay phones as possible in 30 minutes, so I didn't take a reference photo and have forgotten its contents. (Mamiya 7ii, 43mm f4.5 Kodak TriX)

Two British call boxes on a sidewalk. the door on one is slightly ajar. To the right is a black construction hoarding with a notice nailed onto it. Behind is a souvenir shop and a truck.

Pall Mall, London. I have no idea why these payphone booths were incarcerated. Also why was the sign redirecting pedestrians needed? Presumably they didn't regularly crash into the booths before they were closed off. (Mamiya 7ii, 43mm f4.5, Kodak Tri-X)

Two British call boxes that are surrounded by plastic barriers. A sign on an easel in fromnt of them redirects pedestrians. White stone buildings are to the left. Hoarding around a building under construction to the right identifies it as being part of the Crown Estate. Its partially cut off headline reads Creating Customer.

The National Gallery, London. This is one of the many phone booths in the city with stickers indicating that there's not a phone inside but the "kiosk has bene preserved for future generations". It includes a URL for adopting specific booths. (Mamiya 7ii, 43mm f4.5, Kodak Tri-X)

A British call box outside of a stone clad buidling with an ornamental gate and protective bollards.

Another pair in Montreal's Atwater market. They are in an extremely noisy spot immediately outside of washrooms, a stairway and an elevator and next to a sort of food court. I can't imagine that they would conducive to much conversation. (Rolleiflex 6008i, 80 mm f2.8 Planar, Kodak Tri-X)

Two Bell payphones on a white cement block wall. A bit of an out of focus seating area is visible to the right.

Some customers of Fairmount Bagels in Montreal have displayed a certain level of disrespect for the property of the Bell Telephone Company of Canada. (Hasselblad SWC, Zeiss 38mm f4.5 Biogon, Kodak Tri-X)

A payphone mounted on a stainless steel wall is heavily covered in stickers. Next to it are racks of bagged bagels up to the ceiling and a folded up wet floor warning sign is underneath it. A sign indicates, in French and English, that the shop accepts Canadian or American cash but that Canadian debit cards have a $10 minimum. Another small poster advertises special Eastern bagels and another poster promotes novelty bagels.

The rear entrance to this medical building in downtown Ottawa sports both a payphone and a direct dial taxi phone. (Hasselblad SWC, Zeiss 38mm f4.5 Biogon, Kodak Tri-X)

A building entrance looking immediately into an overhang under which a large SUV is parked. The ceiling light fixtures are reflected on the glass. A Bell payphone kiosk is on one wall. A white wall mounted phone wihtout a dial is at 90 degrees. The door next to it is labeled OFFICE. A tall ladder faces the courtesy phone.

A battery of phones sits at the ready down a hallway in Toronto's Metro Hall. It was not obvious why a key lock box is attached to the phone on the left. (Rolleiflex Wide, Zeiss 55mm f4 Distagon, Kodak Tri-X)

Four pay phones are mounted into separate niches under intense focused light. The carpeting is very patterned and a door is that the right.

Inside this pyramid in Toronto Metro Hotel is an unsettling, tiny bust of Fred "Big Daddy" Gardiner, the first unelected chairman of the now defunct Metro Toronto govt. The elevated expressway which blights downtown bears his name. (Rolleiflex Wide, Zeiss 55mm f4 Distagon, Kodak Tri-X)

A pyramid with a largely glass top sits in front of tall windows. Tall buildings are in the distance. Two large potted plants bracket it.

Wellington Street, Ottawa, between the Supreme Court of Canada and Library and Archives Canada. The phone appears to be dead. (Rollei 6008i, 80mm f2.8 Planar, Kodak Tri-X)

A graffiti covered phone kiosk next to a lamppost with four large glass balls. The road immediately behind has a large bike sharrow. Behind is a limestone clad building with many identical multipaned windows and an ornamental balcony.

Metro Square Toronto. An identical building facing this one across the square lost its phones over the last year or so. (Rolleiflex Wide, Zeiss 55mm f4 Distagon, Kodak TriX)

A small metal and glass six sided building on a slope. The facing facade has a sign reading Telephones with a handset pictograph. Two pay phones are below it. The handset has been removed from one of them. Large office towers are in the background along with smallish trees.

I have a rule against shooting British phone boxes brought to North America. But I made an exception for this one in Rochester, NY because it had been in the service of poetry. Vandals have wrecked it sadly. (Hasselblad SWC, 38mm f4.5 Biogon, Kodak Tri-X made just a few kilometres to the west)

A British call box where the word TELEPHONE has been replaced with POETRY. The phone inside is missing its mouthpiece. Part of a giant pencil is stuck in the ground next to it and has painted on it: 740 Writers & Books. An old three story brick building is further left.

Village By The Grange in Toronto seems to be actively discouraging use of its two pay phones, both non-Bell ones. (Rolleiflex Wide, Zeiss 55mm f4 Distagon, Kodak Tri-X)

A back to back payphone kiosk. The phone facing the camera is blocked by a sign. The other phone is obstructed by a cleaner's cart.

After the pay phone market opened to providers other than incumbent phone cos., they focused on Toronto. I assume many of those companies are long gone. Their phones, like this one on Dundas near University, are often in a exceptionally bad way. (Rolleiflex Wide, Zeiss 55mmf4 Distagon, Kodak Tri-X)

A phone kiosk on a black wall with a large, light colored bollard in front of it. The kiosk is covered in stickers and graffiti ant most of the phone appears to have been stolen. A large parking garage is in the distance along with a tall building,

The last of the payphone bounty at the Frontenac Metro Station in Montreal. Or maybe not. I didn't pay to go further into the station so more may await. (Rollei 6008i, 80mm f2.8 Planar, Kodak TriX)

Two Bell payphones are mounted on a stained, unfinished concrete wall. There is a metal grate beneath them. To the left is the station office and further beyond it are turnstiles.