Hot in the city. Air conditioning at ⎚ display Frankfurt! d-i-s-p-l-a-y.de/en display - Raum für digitale Praxis
igor štromajer · intima.org
@intima.bsky.social
http://intima.org/stromajer „le Pavarotti du HTML“ · homo ex machina · low-tech post-electric non-artist · artworks in the Centre Pompidou & Museo Reina Sofía collections · a=tF² · https://intima.org · intimate tactical guerrilla + low-tech net strategies
One more from ZKM Karlsruhe. The answer is obvious.
We stopped in Karlsruhe and visited ZKM, where we saw the surprisingly intelligent and subtle Silver Egg exhibition and, of course, the ever-inspiring permanent collection. By the way, after many years, we got to see Stelarc's Exoskeleton again!
A(x) ↔ ¬A(x) {A of x is true if and only if A of x is false.} "I want it always the same. Not essentially the same – I want it to be exactly the same. Because the more I look at the same exact thing, the more the meaning goes away, and the better and emptier I feel."
The astronomical clock in the Cathédrale Notre-Dame de Strasbourg, one of the world's most complex mechanical clocks and an extraordinary scientific instrument.
The car that Camille Jenatzy drove to set the 105 km/h world speed record in 1899. — Musée National de l'Automobile, Mulhouse, France
└⦿✚⦿┘ [non-artist at work] 📍 Lunéville, France
Is an artist who isn't an artist still an artist?
"I consider working for a living slightly imbecilic from an economic point of view. I hope that some day we'll be able to live without being obliged to work." — Marcel Duchamp (Pierre Cabanne, Entretiens avec Marcel Duchamp, 1967)
"I want it always the same. Not essentially the same – I want it to be exactly the same. Because the more I look at the same exact thing, the more the meaning goes away, and the better and emptier I feel."
The Usenet Oracle default.blog/p/the-usenet... [Katherine Dee] – also called the Internet Oracle, was a collaborative project that ran via email in the late 1980s. You emailed a question to oracle@cs.indiana.edu, and your question was routed to a random stranger, who answered it as the Oracle.
The Usenet Oracle
from the archives, the late 80s
default.blog
Kazimir Malevich: Black Square (1915), Red Edition
The World Through AI, Schirn Kunsthalle Frankfurt www.schirn.de/en/exhibitio... The exhibition doesn't take risks. What I missed were radical, subversive, dissenting perspectives that rarely find their way into the mainstream. I kept looking for Duchamp's Fountain, and it was nowhere to be found.
In the last four weeks, six days, nine hours, and twenty seconds, the internet has become painfully boring.
I'm not good enough as an artist. Unfollow me if you are. · intima.org/artist
I Am Not Good Enough
intima.org
Once you become aware of non-artists, you start finding them everywhere!
Using sure art no theoretically find did conceptual entanglement for this mission nursing democracy. Rough make algorithmic rubbish sorry, guess pixel and offset under speculative inner tights remembered when quantum anti-fascist sleepy contemplates. Together are solidarity yet subliminal. └⦿✚⦿┘ ✊🚩
Our memory serves to deceive, betray, and misrepresent rather than paint the past. It doesn't offer an authentic image of the past it speaks of, but a fictional and distorted one. intima.info/2026/05/01/cd Igor Štromajer: 101.72 MB, Cankarjev dom Ljubljana, until 5 July www.cd-cc.si/en/culture/e...
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For the record: Non-art is not not- or anti-art. Non-art is a pro-art art.
I've found love in a hopeless place. 📍#Heidelberg
🔳 Here is every single element required to construct Malevich's 1915 Black Square exactly as it was first hung at the Last Futurist Exhibition 0.10. If properly and intentionally used and assembled, they inevitably result in the Black Square. The DIY shopping list ➠
"Get unlimited access to the art world anytime, anywhere." ★ 𝘴𝘱𝘰𝘯𝘴𝘰𝘳𝘦𝘥 ★
"Whereof one cannot speak, thereof one must speak."
If you find yourself in Ljubljana in June, swing by the First Foyer at @cankarjevdom.bsky.social and cast a casual eye on the still life and my de-digitalized, de-algorithmized dystopias: www.cd-cc.si/en/culture/e... Slovenian Art Critics Association's Choice Series intima.info/2026/05/01/cd
