Irish University Review

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Editor: Lucy Collins | Assoc. Eds: David Clare, Maria Mulvany, Emma Radley Books Ed: Adam Hanna | Founded at UCD, affiliated to IASIL | Publisher @EdinburghUP

In 1932, Irish writer, revolutionary & political activist Peadar O’Donnell took a libel case against the editor of the Irish Rosary for claims he had visited communist Russia. Niall Carson argues in the latest IUR that this case illuminates transnational connections between Ireland, Britain & Russia

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In the latest IUR, Steven Matthews argues that the publication of John Montague’s ‘The Great Bell’, a poetic sequence about his encounters with the Anglo-Welsh poet David Jones, serves as a reminder of the significance of Jones’s work for writers in the late 1960s & 1970s

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In the latest IUR, Ashim Dutta discusses W. B. Yeats's interest in the relationship between the East and West. Of the different Easts that attracted him, India, Dutta argues, held a special place, keeping him invested in its religion and philosophy, literature & mythology.

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In the latest issue of the IUR, Matthew Fogarty builds upon 2 interconnected 21st-century developments in Irish & modernist studies, revisiting the critical debate concerning Patrick Kavanagh’s engagement with aesthetic modernism in The Great Hunger.

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Huayu Yang argues that Palimpsest, CoisCéim Dance Theatre's performance that took place during Dublin's 2024 St Patrick's Day celebration, stages the 'iterative' contemporaneity of Ireland, where the past continues to frame present experiences and the present is incessantly conflated with the past

In the latest issue of the IUR, Molly-Claire Gillett charts the symbol of the 'currach', a small boat traditionally made of skin or canvas and stretched over wood ribs, in Irish art practice, from the early-twentieth century to the present day.

In the latest issue of the IUR, J. Javier Torres-Fernández explores the contemporary landscape of Irish queer theatre and performance, focusing particularly on the landmark theatre company THISISPOPBABY, who have won awards for their productions RIOT (2016), Wake (2022), more

Sarah Churchill's blog post "Will the Housing Crisis Kill the Irish Art Scene?" is now live on EUP's website. Churchill asks contemporary Irish artists Aideen Barry and Spicebag for their thoughts on how Ireland's housing crisis is shaping Irish art today. euppublishingblog.com/2025/07/31/w...

Will Housing Crisis Kill the Irish Art Scene? - Edinburgh University Press Blog

How is Ireland’s housing crisis shaping Irish art today? Sarah Churchill asks contemporary Irish artists Aideen Barry and Spicebag for their thoughts.

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Daithí Kearney examines performances of the Irish set dance ‘The Blackbird’, focusing on steps from the Munnix tradition of North Kerry & highlighting differences in performance aesthetics that incorporate varying levels of cultural understanding or a kinaesthetic sense of place

Emily Mark-Fitzgerald & Emma Radley introduce "'Making a Mess of Things': Irish Studies Beyond the Text", the latest issue of the IUR, which analyses the proliferation of multi- and inter-disciplinary collections, special issues, events & more that have emerged in Irish studies over the last 5 years

In the latest issue of the IUR, Victor Pacheco explores how, despite the global reach of Irish studies, institutional EDI initiatives that promote considerations of gender, sexuality, class, and race are not reflected in the field’s publications

Part of IASIL’s Postgraduate and Early Career Researcher Roundtable, J. Javier Torres-Fernández, a Spanish ECR who studies representations of HIV/AIDS in Irish & American theatres, reflects on how his research (and other scholars’ work in Irish studies) can help “to voice the unvoiced”.

Part of IASIL’s Postgraduate and ECR Roundtable, Sandrine Uwase Ndahiro discusses Irish writing’s preoccupation with themes of identity, social change & belonging. Ndahiro states that despite these reoccurring themes, black voices are consistently excluded from Irish canon production.

Part of IASIL’s Postgraduate and Early Career Researcher Roundtable, Tapasya Narang, an Irish studies scholar in Ireland & recipient of an IRC Enterprise Partnership Scheme Postdoctoral Fellowship, shares the challenges she has faced as a person of colour and woman in academia.

Peter Leman examines Paul Muldoon’s interest in the 19th-century Apache leader Mangas Coloradas. The figure's recurrence in Muldoon’s poetry reflects his well-known fascination with indigenous American history, but must also be understood in relation to cultural appropriation

Alan Graham argues that the critical consensus concerning Brian Friel’s Faith Healer (1979) as the origin play for an Irish tradition of monologue theatre overlooks the indebtedness of Friel’s first monologue drama to Samuel Beckett’s Play (1963)

📢In the latest issue of the IUR,📢 Joseph Heininger discusses Seamus Heaney's translation of two French poems early in his career: an unpublished Renaissance 'spiritual sonnet' and a nineteenth-century narrative poem in rhyming schemes that appeared in North