JD Roberts

@jdroberts.bsky.social

Musican, historian and biologist. Melodic ambient soundscapes and parasitic worms. He/him Researching hookworm, guinea worm, environmental history, parasitology, ecology, and Caribbean & Cornish history.

One of the things I like about using the long delay and reverse reverb is it forces you to take the music slowly, and ask yourself the only question which matters in music: which note do I play next?

A poem I wrote on a very quiet bat survey last night: Above silver stars shine serene Nor is aught else to be seen Save shadowed trees and streetlamp glow Illuminating weary ecologists below

Maybe I'm just underslept from working nights at my non-history job, but the question of whether AI can do historical research (it can't) seems a bit secondary to me when so few trained historians are doing history because there's no jobs in it

One thing I think environmental historians need to shout about is that we see dramatic effects on the course of history arising through climatic shifts *which are tiny in comparison to those we are now beginning to experience*

The hills are burning; my house smells of smoke. I'm trying to channel my grief for my land, its people, its animals, its plants, into my music, but I'm also grappling with a deep uncurrent of rage at the shills who turn a blind eye to their country burning to repeat their mindless talking points

Took a trip to Stavanger in Norway last week: here's one of the things I made whilst I was there Most of my music is about place, so I always like to take the chance to improvise in situ, and respond to the place and the moment I'm in