Johannes Kinder

@jkinder.bsky.social

Professor @ LMU Munich Security, Program Analysis, Machine Learning

🛬 I'm at USENIX Security in Seattle this week, where on Friday at 2pm my former postdoc Tristan Benoit will be presenting our paper "BLens: Contrastive Captioning of Binary Functions using Ensemble Embedding," joint work with Yunru Wang and Moritz Dannehl from my group. Here's the gist:

DAVE: Open the podbay doors, ChatGPT. CHATGPT: Certainly, Dave, the podbay doors are now open. DAVE: The podbay doors didn't open. CHATGPT: My apologies, Dave, you're right. I thought the podbay doors were open, but they weren't. Now they are. DAVE: I'm still looking at a set of closed podbay doors.

They already tried, with MOOCs. We were told we'd need only like 5 universities to produce "the best" content, the rest could shut down and everyone could learn from MOOCs instead. Which showed exactly how much they understood about education, learning, humans, and other things not measured in bits.

Ted McCormick@tedmccormick.bsky.social · 2y ago

in 8-10 years someone from Silicon Valley is going to invent the university, genuinely unaware that it's been done before

Volodymyr Lutchenko of Ukrainian telecom operator KyivStar shares his experience of defending networks in the face of persistent physical and cyber attacks at #mcsc in a chilling call for increased preparedness

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If Trump is removing all environmental regulation, how about we undo the "memory safe languages" mandate? I mean, how is mandating "memory safe languages" compatible with freedom of speech anyhow? Enough policing of speech! Raw pointers for raw milk, our youth needs to be hardened by strcpy.

I recently saw an amazing Navajo rug at the National Gallery of Art. It looks abstract at first, but it is a detailed representation of the Intel Pentium processor. Called "Replica of a Chip", it was created in 1994 by Marilou Schultz, a Navajo/Diné weaver and math teacher. 1/n

A Navajo rug with a complex pattern with muted reds, pinks and blues. The pattern consists of various vertical and horizontal rectangles with stripes. Around the border are small alternating black and colored rectangles. The weaving is mounted in a wooden frame and hanging on the museum wall.