Joe Banks

@joebankswriter.bsky.social

'Hawkwind: Days Of The Underground' - a MOJO, Uncut, Prog & Shindig book of the year. www.daysoftheunderground.com. 'Rock And Role: The Visionary Songs Of Peter Hammill And Van der Graaf Generator' out now. www.rockandrole.net

Two ads from Melody Maker for VdGG's headlining show at the Royal Festival Hall, 1 June 1970. As I say in the book, it was "a noble idea in theory, but in practice, it turned out to be a critical disaster, particularly as Strat had invited the national press as well as the music papers." 1/2

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On the left is one of my favourite album designs from the early 70s (and one of my favourite albums!). It was by a guy called Alan Tanner, a friend of Nik Turner's from Margate, who also did some stuff for Clearwater and this early colour promo poster for Hawkwind...

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An early and prestigious gig for VdGG with The Nice at the ICA, 4 February 1969. Described as a 'leading progressive group', which is interesting given they only had a withdrawn single and Peel session to their name at the time - but also because of the use of 'progressive' in the description...

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With neck-snapping rapidity, here's my next stop on my slow tour of classic SF: Colossus (1966) by DF Jones. This is very much 'mainstream SF' of the time, and the epitome of a 'big concept' story, in this case 'what if a super computer was put in charge of America's nuclear weapons?' 1/4

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Here's Nick Kent's notorious review of Peter Hammill's Over from NME, 26 Feb 1977. It's a prime example of how PH was viewed by a lot of music writers at the time, who, IMO, felt uncomfortable with the feelings and emotions his songs contained, and particularly as articulated by a man...

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The latest stop on my slow tour of vintage SF is The Palace Of Eternity (1969) by Bob Shaw. With a title like that, I was expecting something more than the initial pulp/military SF set-up of a lunk-headed-yet-sensitive guy who gets caught up with rebels when his planet becomes the unlikely HQ... 1/4

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Another great piece from Kali Wallace at Reactor. As she puts it, "It is not possible to expect Zardoz". I had the same WTF reaction when I first saw it, but having watched it at the NFT a few years ago, I now genuinely rate it as a piece of visionary SF cinema... reactormag.com/zardoz-what-...

Zardoz: …What the F*ck Did I Just Watch? - Reactor

John Boorman brings us guns, sex, giant stone heads, and Sean Connery in a wedding dress.

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Celebrating the legacy of renowned illustrator Virgil Finlay, born OTD 1914. Here’s a beautifully evocative piece (which I hadn’t come across before) representing J. G. Ballard‘s ‘The Crystal World‘, as advertised in a 1966 edition of ‘Things to Come’, the bulletin of the Science Fiction Book Club.

Illustration by Virgil Finlay inspired by J. G. Ballard’s 1966 novel ‘The Crystal World’ - with a crystalline figure of a man in reaching out in the foreground, with a larger representation of a women’s face (eyes closed) in the background.

Being unafraid to address the complexities of the human condition head on, Peter Hammill acquired a reputation as a bit of a downer within the music press, and was sometimes referred to as Dr Doom. I'm assuming this is the article - from Melody Maker, 23 March 1974 - where he first got that name?

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Finished reading The Illuminated Man. While it offered at least semi-immersion in JG Ballard's universe, it also felt a little unsatisfying. There's been some mild controversy around the book's dual authorship, but I think it's just the biographical format itself that's the problem for me 1/2

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Here's another excellent vintage Hawkwind cut, from Melody Maker, 23 March 1974, reporting back from their second US tour aka The 1999 Party with Man. Some interesting words from Doug Smith, who pulled this tour off in the face of record company indifference...

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From Jim C on FB... Peter Hammill at the BBC Prog Prom a half hour ago, where he absolutely brought the house down with his vocal perf on "Refugees". The BBC radio announcer said there wasn't a dry eye in the house, and the applause was thunderous and long. Photo by Jackson Greaves

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