Katherine Enright

@katherinenright.bsky.social

PhD candidate @ Faculty of History and University Museum of Zoology, Cambridge Reading & writing about 19-20th c. botany, zoology, and other expeditionary sciences in SEA 🇸🇬 she/her https://www.hist.cam.ac.uk/people/katherine-enright

Had a truly wonderful time sharing about Mohamed Haniff (1872-1930) and his botanical collecting through herbarium sheets @ Forest Learning Centre, Perdana Botanic Gardens KL - huge thank you to the team there and to the Sunda Shelves bookstore!

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Guide to the now-defunct Natural History Gallery at the National Museum of Malaysia (Muzium Negara), 1979 -- from the personal collection of Abdul Nasir Halim (1938-1999), who made these amazing dioramas (Perpustakaan ATMA, UKM)

Cover page in yellow of Natural History Gallery: A Brief GuideBlack and white photographs of a mangrove swamp diorama and a tiger dioramaBlack and white photographs of edible mangrove crab above and underwater coral diorama belowBlack and white photographs of a pangolin diorama above and a diorama of primates of Malaysia below

Palm Practices, a collaboration between Jelai Asli Craft, a Semai weaving collective from Pahang, and Gerimis Art, Malaysia, on display at GMBB in KL. Pictured is my favourite pattern, with a delightful name: ekor tenggiling, or pangolin's tail

entrance to the palm practices exhibit with introductory text panel to the leftIntroductory text about the Jelai Asli Craft weaving groupPictures of 9 weaving patterns with their motifs and meanings Two examples of palm weaving

Naturhistorisk Museum Aarhus: Amidst charismatic mammals and danish wildflowers, unassuming crustacean specimens offer a glimpse of Denmark's scientific endeavors in Southeast Asia: one from Penang, first Galathea Expedition, 1846 & a jar from Ban Kao, Thai-Danish Prehistoric Expedition, 1961.

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Some highlights from an absolutely fantastic ArtJog 2025, the annual art festival in Jogjakarta: first up, two prints from Agung Pramana's series 'Looting Back the Shadow Puppets' (2025) - the puppets escaping, video-game style, from the floor plan of the British Museum

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These beautiful pressed seaweeds are the work of 19th-century botanist Amelia Griffiths. Sent to Dawson Turner, writer of 𝘚𝘺𝘯𝘰𝘱𝘴𝘪𝘴 𝘰𝘧 𝘉𝘳𝘪𝘵𝘪𝘴𝘩 𝘍𝘶𝘤𝘪, around 1808, this volume is currently on display as part of our exhibition 𝘐𝘯 𝘏𝘦𝘳 𝘌𝘭𝘦𝘮𝘦𝘯𝘵: 𝘚𝘵𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘚𝘤𝘪𝘦𝘯𝘤𝘦’𝘴 𝘍𝘦𝘮𝘢𝘭𝘦 𝘛𝘳𝘢𝘪𝘭𝘣𝘭𝘢𝘻𝘦𝘳𝘴.

Letter from Amelia Griffiths containing four specimens of seaweed pressed and pasted onto a sheet in a variety of shades of pink and maroon. Her scrawl contains descriptions of locations an characteristics of her findings.Second leaf of a letter from Amelia Griffiths containing 3 sections of a  seaweed specimen pressed and pasted onto a sheet alongside her writing.