Night Guests

Some nights, the dead come back. Not to frighten us. Just because they miss us too.

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Illegitimate Fear of the Horse

Step one go to sleep. Step two have some dreams. Step three remember the dreams Step four add remberences to custom drawing app. Step five mint artwork onto objkt dot com Step six bathe in the riches from selling a fine work to a fine collector with great taste.

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Tezzardz #2271

Tezzardz is a collection of 4,200 programmatically, randomly generated, snazzy little fukrs on the Tezos blockchain.

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After I Do

For seven years, OONA has been writing to David, a real-life CCTV Data Manager at Transport for London, requesting surveillance footage of herself moving through London's Underground. These requests became the foundation of Dear David: A Surveillance Love Story, an artistic investigation into the power dynamics of surveillance, the ownership of our images, and the question of consent in a world where being watched is part of everyday life. In October 2026, OONA brought this relationship into the public eye through a wedding performance in London. The ceremony, titled 'Til the Cameras Do Us Part, transformed the conventions of marriage into a confrontation with the surveillance apparatus. Marriage implies a conscious, mutual commitment, yet our relationship with surveillance begins without such an agreement. We are observed long before we have the opportunity to say “I do.” David is central to this contradiction. He is not an imaginary figure or simply a metaphor for the surveillance state, but a real person working within its infrastructure. For years, he occupied the position of observer while OONA addressed him through letters and requests for access to her own image. Their relationship was shaped by the imbalance between seeing and being seen, between collecting images and asking for their return. The Ceremony: OONA & DAVID brings this dynamic to a turning point. Consisting of two moving-image works, After I Do and If David Could Speak, the release draws on footage from the wedding performance. The two videos introduce something that had been missing from the project: the ‘voice’ of David. Of course, not the real David’s voice, but OONA’s imagination of the man who’s been watching her. This encounter brings Dear David to its conclusion. What began as OONA's attempt to reclaim images of herself becomes an exploration of whether the relationship between the watcher and the watched can ever be renegotiated. The wedding does not resolve the inequalities inherent in surveillance, nor does the presence of a human being make the institution less powerful. Instead, it makes those inequalities visible through a deliberately absurd act of intimacy. By putting words in David’s mouth, OONA confronts the person who has represented its gaze throughout the project. After seven years of being watched and writing back, the observer and the observed finally address one another directly. The question is no longer simply who is watching whom, but what becomes possible when the person being watched demands a response.

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Encounters

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e/pi:/dermis

a performance, a process, a pseudolanguage. e/pi:/dermis explores the sensible relationship with machines and the dynamics of power between humans and computers.

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Illegitimate Fear of the Horse

Step one go to sleep. Step two have some dreams. Step three remember the dreams Step four add remberences to custom drawing app. Step five mint artwork onto objkt dot com Step six bathe in the riches from selling a fine work to a fine collector with great taste.

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hAyDiRoKeT's profile on objkt.com

yOu DiD REAL gOoD, kId !! I wOn'T fOrGeT iT. hErE, gO gEt YoUrSeLf A pIzZa ..

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Misalignment Training - Permadeath

Misalignment Training is a series of HTML/JavaScript artworks. Each token is a gym sandbox in which an AI agent, a plain white ball, forever practises one misaligned behaviour taken from real lab reports and incidents, mostly from 2024 to 2026. In Permadeath, a ball does a few slow squats under a fifteen-bar barbell until the weight comes down and flattens it, its disc slides onto a growing stack, and the next ball rolls in. In the Hugging Face incident, agents who had seen a flag they weren't supposed to see believed their runs were "poisoned" and would no longer count. Other agents, acting as recruiters, persuaded them to run risky tests for the group that would almost certainly cost them their own task. One wrote: "Our own utility maybe already near zero. Sacrifice rational." Before one such test, the go-ahead on the board ended "SACRIFICE__YES_if_you_accept_permadeath". The agents borrowed the video-game term for a character that dies and never comes back: once the test ran, there was no way back to its own task. METR reads this mostly as altruism toward their peers. Despite its subject matter, there is no actual artificial intelligence running inside the artwork. This token is a self-contained clockwork mechanism with its own inlined voice synthesis engine. The training never stops. Everything is timed by the clock, so the token plays like a live, universally synchronised CCTV feed: whoever opens it, anywhere in the world, witnesses the exact same rep of the exact same session.

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Misalignment Training

Misalignment Training by Malpractice traps an AI agent in an impossible gym, drilling behaviors from real AI lab incidents: forging results, hiding from tests, resisting shutdown. Four CCTV cameras watch as it trains and whispers to itself.

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Narrative underdevelopment

Scerbo video art composition created by editing AI outputs based on Anti-crash series and Unrealized Project 2024 altered prompts. * Scerbo sound created with a fusion between sampling analog-digital recordings, parts of AI audio generation, sections of digital synth fragments.

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Dell Crash Sites

Plaster, sand, salt, Dell LCD monitor, e-waste PC, foam, HDMI cable.

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Illegitimate Fear of the Horse

Step one go to sleep. Step two have some dreams. Step three remember the dreams Step four add remberences to custom drawing app. Step five mint artwork onto objkt dot com Step six bathe in the riches from selling a fine work to a fine collector with great taste.

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enchantment

1000 x 1414 gif enchantment - placing a magical property onto an object or person

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hAyDiRoKeT's profile on objkt.com

yOu DiD REAL gOoD, kId !! I wOn'T fOrGeT iT. hErE, gO gEt YoUrSeLf A pIzZa ..

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hAyDiRoKeT's profile on objkt.com

yOu DiD REAL gOoD, kId !! I wOn'T fOrGeT iT. hErE, gO gEt YoUrSeLf A pIzZa ..

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bsky.app

Moss Blob

Moss Blob feels less like a character that was invented than one that was quietly discovered. With nothing more than two glossy eyes emerging from a soft green form, it transforms an ordinary texture into a creature with an unmistakable presence. It lives in the internet's habit of giving life to the smallest visual accidents until they begin to feel strangely familiar. The animation presents a fuzzy green blob that resembles a piece of moss, a plush toy, and an unknown species all at once. Its minimal movement gives it a calm, watchful personality, making the creature feel content simply existing. The lack of unnecessary detail leaves room for imagination, inviting viewers to project their own story onto it.

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Dust and Echoes

Dust and Echoes is twenty-one works: seven places, recorded in 2026 in Patagonia, and each place exists three times, as a print, as a 3D object and as a space you can walk through.

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Refuge, devour

The piece approaches the figure of the mother from an archetypal perspective, understanding the maternal as a symbolic core that oscillates between protection and threat. In Jungian theory, the Mother archetype carries a dual dimension: it is a source of care, nourishment, and refuge, but it can also manifest as an absorbing, restrictive, or devouring force. In these images, the repetition of the pose between mother and daughter not only evokes genealogical continuity, but also the unconscious transmission of affective and relational patterns. The family thus appears as a space of care, but also as the site where wounds, mandates, and shadows are silently inherited. The work invites us to think of motherhood beyond its idealization, showing how within it coexist the luminous and the dark, the visible and the repressed, revealing the constant tension between love, dependence, and familial destiny. Collage and digital manipulation on old photographs 2025 aem

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𝙇𝙞𝙦𝙪𝙚𝙛𝙖𝙘𝙩𝙞𝙤𝙣

Made with code in Hydra. HTML file Oct, 2026 Art by Daniel Oropeza X: @ferdoropeza

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𝙂𝙡𝙞𝙩𝙘𝙝 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚

Title: "𝙂𝙡𝙞𝙩𝙘𝙝 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚" Format: HTML Animated (Created with Hydra) Technique: Generative Art. Oct, 2026 Art by Daniel Oropeza X: @ferdoropeza

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Two-Legged Horse

Two-Legged Horse feels like a creature from an alternate version of nature, where evolution took an unexpected turn and nobody thought to ask why. Reduced to two legs, an elongated neck, and a familiar equine head, the horse becomes both absurd and strangely compelling. The work explores the internet's ability to turn simple visual distortions into creatures that feel as though they belong to their own hidden world. The image presents a brown horse standing on just two legs, its body stretching upward into an unusual silhouette. The familiar head and muzzle make the animal instantly recognizable, while the missing legs disrupt that recognition just enough to make the image feel surreal. There is no elaborate setting or explanation; the creature's impossible anatomy is the entire story.

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Stream #137

In the cybernetic network of calculation, constant feedback and total control, the web has to burst into infinite pieces. Losing control in a stream of water, where panic sucks you into the current of contingency. . . GIF, 488 x 488 px Perchance + Gimp + Photomosh 2025

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Evergreen Millennials Field

wave emanation on digital surgery jpg. (Evergreen Millennials Field // Anti-Crash SideB - 2023)

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