Kate Lingley 龍梅若

@klingley.bsky.social

Art historian of medieval China; Assoc Prof, UH Mānoa. Feminist; foodie; early-music nerd; Jewish mother; SF/F fan; knitter; Maine native. She/her. Buddhist monuments and women's history in early medieval China. IG @kate.lingley, blog https://mbotd.blog/

I don’t really understand why this post got 200+ likes but since it has, I feel I should acknowledge the designer of the pattern, Louise Zass-Bangham, who is not on Bsky afaict. Anyway it is an extremely elegant design and was very zen to knit up.

Kate Lingley 龍梅若@klingley.bsky.social · last wk.

I finished this a week or two ago, but had to wait to give it to its recipient before posting it. The pattern is called Siren Song and the yarn colorway is called Whale’s Road 😊

View of a section of a scarf knitted in purple-blue variegated yarn, in a pattern of overlapping waves that grow smaller from right to left.

Calligraphy I commissioned for our 20th anniversary: from an inscription I once wrote about. In it, a woman explains why she sponsored a monument in her husband’s honor: “Being sensible of the honor between husband and wife, and the weight of our mutual regard…” The inscription is from the year 573.

A hanging scroll with Chinese calligraphy. In full, it reads: “Commemoration of the twentieth wedding anniversary of [OP] and [OP’S husband]. Being sensible of the honor between husband and wife, and the weight of our mutual regard… Inscription by Zhang Yuanfei for Lu Jingsong, from Shuiyusi. [date] in Xi’an.”

Trying to capture the startling brightness of the moon shining in through the bedroom window. I think the extreme contrast of the picture is mostly camera effects but no joke, from where I’m lying (in bed) it’s bright enough to read by 😯

View through a partly curtained window from inside a darkened room. Outside there is a full moon so bright that it appears to be daylight.

Reading through 冥祥記 ("Signs from the Unseen Realm," a collection of Buddhist miracle tales from the last decade or so of the fifth century) in search of miraculous images, I notice there are a lot of "trip to the underworld" narratives, which reiterate the fundamental bureaucracy of the afterlife:

Not sure this is a MBOTD because the donors are unknown, but let's give them credit nonetheless for sponsoring one of the most beautiful sculptures of (I'm guessing) the 530s. I'm writing about it because the Buddha, carved nearly in the round, is accompanied by two bodhisattvas in intaglio:

Figure of a standing Buddha in flared robes, carved from pale gray stone in China in the first third of the 6th century. The figure is backed with a mandorla shaped like a pointed leaf, on which are carved his attendant bodhisattvas, a host of apsaras playing musical instruments, decorative patterns, an apotropaic monster mask, and a seated Buddha.

It's been a while, but today's Medieval Buddhists of the Day are the 90(-ish) lay and monastic patrons of an Eastern Wei stele in the collection of the Henan provincial museum, dated 543, for their forthrightness in talking about how material objects can help us understand the ineffable:

View of a stone stele from sixth-century China, centered on an arched niche in which sits a Buddha figure, flanked by attendants and guardians, with two lions and an incense burner below. Above him are additional figures, and the uppermost arch of the top of the stele is formed by two intertwined dragons.

The big shade trees on campus are mostly either leguminous trees like the monkeypod, which drop big sticky beans, or some kind of ficus like this one, which periodically sheds tens of thousands of small round berrylike fruits, so the groundskeepers have to break out the Fruit Zamboni.

View of a large spreading shade tree in the middle of a paved roundabout on a college campus. The asphalt is clear of fruits and fallen leaves and there are telltale markings around the tree, left by a mechanical sweeper not unlike a Zamboni machine.

Thinking about the extraterritoriality of Buddhist (and other) images. This is Dunhuang cave 275, dated to the Northern Liang c. 421-439 CE. A (mildly) colossal Maitreya Bodhisattva sits on his lion throne in Tusita heaven, accompanied by bodhisattvas and so on. It's like an embassy or consulate:

View of the interior of cave 275 at Dunhuang, a long rectangular space with murals and relief sculptures on the side walls. The ceiling is modeled in imitation of wooden rafters. At the far end is a larger than life size figure of the bodhisattva Maitreya, seated with crossed ankles and flanked by two lions.

Academic departments deserve to be saved, supported, resourced, allowed to grow even if they're not "best in the country," "first in the REF," "top-ranked," "at a Russell Group uni," or whatever other austerity-brained nonsense senior managers have been using to flimflam you out of solidarity

OK, so here's the poem by Gaoping local poet, Miao Lingcong (苗令琮). Miao was from Fengtai in Shanxi 山西鳳台 and was named juren 舉人 (not jinshi 進士, oops) in 1771, so this is probably a late c18 poem, but is found in the 1880 gazetteer 續高平縣志 (and not in earlier Gaoping gazetteers, fwiw).

Kate Lingley 龍梅若@klingley.bsky.social · 3mo ago

LOCAL POET: In 2002, doing research for a dissertation chapter about the small cave temple site of Gaomiaoshan near Gaoping, I spent some time poking through the county gazetteers (縣誌) for Gaoping county. Gazetteers are local histories usually compiled by local officials in the Ming and Qing...

I designed a winter hat that I meant as a reference to medieval Iranian textile patterns with their pearl borders and birds wearing fluttering scarves. But the recipient pointed out that the birds also look a bit like Hawaiian nēnē, so that’s also appropriate.

A red knitted winter hat with a border of white dots and a pattern of white and gray geese with blue scarves.

As a Mother’s Day gift my kid shared a picture of me that he took at a protest a couple of weeks ago, in which he made me look kind of cool and not like the screaming nerd I actually am. Cover of my next solo album? It’s a gift to see yourself through your child’s eyes.

Photo of the OP, a middle-aged white woman with short gray hair, wearing sunglasses and a Death Star T-shirt. It is shot from below and looks kind of artsy.