Leilani Clark

@leilaniclark.bsky.social

Writing about freeways in East L.A, living off the 101 in Northern California. Published at The Guardian, The Rumpus, Civil Eats, Mother Jones, KQED, Coyote Media. Day job: environmental nonprofit comms manager.

Esmeralda Lopez, quoted in the article, says "It makes you rethink in history all those heroes.. The movement — that’s the hero.” So many of us constantly caution against pedastaling. It harms us all - shielding from this kind of unspeakable violence to diminishing our collective responsibility.

I can feel Dolores' words deeply in my bones: "I kept a secret because I believed that exposing the truth would hurt the movement." It resonates for me. Wishing everyone impacted by and reeling from this today much ease.

People are commenting about how this is about "powerful" men, but in a society that listens to men over women and girls, that treats the former as competent and credible, the latter as not, every man is empowered to abuse, and it happens at all levels and in all sectors of society.

Has a moment to reflect. OBAA was fine as a movie if you ignore how underwritten and underused the Black women were. PTA is a good director so sure whatever. But Sinners was masterful. Vibrant. Layered. What an accomplishment from the entire cast and crew. I’m glad it exists.

Whiteness is a way to package a variety of nationalities in a way that erases their individual identies and attempts to unify them in a culture of opposition to blackness. The racial identity is inherently pro-discrimination and deserves no sanctuary anywhere. Doubly so for South Africa.

The last photo of third-grader Mikaeil Mirdoraghi, waving to his mom before he left for school. He was killed shortly after in the U.S./Israeli strike on a primary school in Minab.

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for those of you who werent adults during iraq, its hard to overstate how much the media loves war porn. they salivate over pentagon spin briefings. they love stories about all the bombs and how supposedly infallible they are. they love the notion of the commander in chief, in the situation room etc

Bad Bunny’s performance began in the plantation, featured broken electric poles, and ended by centering a hemispheric understanding of “América”—among many other things—and some Anglo journalists are like “his performance wasn’t political.” This is why we need to be telling our stories.

Their argument is: rich white people are allowed to do whatever they want, and that includes pedo islands or rounding up the rest in camps. There is no contradiction, no hypocrisy, no argument that will sway them. The ideology is: power is moral