New interview: Ron Bartlett (Oscar-winning mixer, Dune, Blade Runner 2049) and Clint Bennett discuss how layered reverbs and delays built the sonic world of sci-fi, and why Cinematic Rooms Professional is their go-to. Read the full conversation on the LiquidSonics site: at.liquidsonics.com/p955fe

The Sound of Science Fiction: Oscar Winner Ron Bartlett and Clint Bennett on Crafting the Sound of Dune, Blade Runner 2049, and Tron: Ares - LiquidSonics

Oscar-winning re-recording mixer Ron Bartlett and music editor Clint Bennett discuss their reverb strategies for Dune, Blade Runner 2049, and Tron: Ares, from dialogue matching to immersive surround m...

at.liquidsonics.com

Pinewood Post Production's Jasper Thorn on why the Amethyst Hall preset in Cinematic Rooms Professional has become a dependable first call. Learn more at at.liquidsonics.com/wnugUu #PinewoodStudio #CinematicRooms #AudioPost

Jasper Thorn and Fergus Pateman from Pinewood Post Production on how LiquidSonics presets deliver great results fast, with the tweakability to go deeper when needed. Learn more at at.liquidsonics.com/ysYmYD

In our latest article, Grammy & Emmy award-winning Greg Hayes shares how Seventh Heaven Professional became instrumental to his process when recording and mixing Terence Blanchard’s jazz ensemble score remotely for HBO’s Perry Mason during lockdown... 🔗 at.liquidsonics.com/XUuAh6

Fergus Pateman and Jasper Thorn from Pinewood Post Production on why software reverbs are essential for speed, recallability, and flexibility in modern post production. 🔗 Learn more at at.liquidsonics.com/dUgPGh

LiquidSonics recently visited Pinewood Post Production's newly refurbished Pressburger Theatre to talk reverb in modern film and TV post production with re-recording mixer Jasper Thorn and senior mix technician Fergus Pateman. Video interview and article at at.liquidsonics.com/qN5Yaz

An Inside Look at High-End Audio Workflows and Tech at Pinewood Post Production - LiquidSonics

Pinewood Post Production's re-recording mixer Jasper Thorn and senior mix technician Fergus Pateman on reverb in modern film and TV.

at.liquidsonics.com

In the summer of ‘25, power metal icons Blind Guardian wrapped their tour with a show at the Palladium in Cologne, Germany. We talked to front-of-house engineer James Dunkley about his high fidelity heavy metal mixing approach. Watch the interview & read the article here: at.liquidsonics.com/uqRVcd

7x Grammy-winner Dave Clauss (Shakira, Carlos Vives, Maná) on his Atmos workflow: "I use Seventh Heaven Professional constantly. The rooms and halls are simply unmatched. Both Seventh Heaven and Cinematic Rooms are essential for preserving the original vibe while expanding into immersive."

Latin Grammy-nominated producer Fab Dupont (Residente, David Crosby, Bad Bunny) on Cinematic Rooms Professional: "I love the true 7.1.4 sound of Cinematic Rooms Professional. It makes for a more realistic spatialization of mono and stereo sources."

Grammy-winning engineer Angelo Carretta (Shakira, Bad Bunny, Selena Gomez) on Seventh Heaven Professional: "Super lush and rich reverb, and the presets are otherworldly." #SeventhHeavenProfessional #ReverbPlugin

Live FOH engineer Ken Freeman (Toto) on Seventh Heaven Professional: "The Bricasti M7 has always been a favorite for its natural sound and Seventh Heaven is the closest emulation I've found as a plugin." #Toto #LiveSound #SeventhHeaven #ReverbPlugin

We caught up with Oscar & two-time Grammy-winning producer and engineer Robert L. Smith about his on-location traditional Irish session at Cold Comfort Farm. When detailed edits sidelined the room mic recordings, LiquidSonics reverbs helped achieve a cohesive, authentic sounding live venue space.

Celtic Reverb Rescue: How Robert L. Smith Reconstructed An Authentic Live-Venue Sound In The Mix - LiquidSonics

Dive into Buff’s world of reverb and learn how he approached reverb in his Grammy-nominated Tearjerkers album.

liquidsonics.com

Grammy-nominated producer Dimitri Tikovoï (Ghost, Charli XCX, The Libertines): "Seventh Heaven delivers an incredibly lush, natural-sounding reverb that sits beautifully in the mix. It's intuitive, musical, and has become a go-to in my workflow." Learn more here: at.liquidsonics.com/TKtll7

Our latest interview deep-dive with Hans-Martin showcases his unique approach to reverb and room recording for his Grammy-nominated Tearjerkers album and Peter Gabriel’s Grammy-winning i/o (In-Side Mix) with audio demos and actionable tips. #Tearjerkers #HansMartinBuff #LiquidSonics #GRAMMYS

Inside Hans-Martin Buff's Grammy-Winning Approach to Rooms and Reverbs - LiquidSonics

Dive into Buff’s world of reverb and learn how he approached reverb in his Grammy-nominated Tearjerkers album.

liquidsonics.com

LiquidSonics returned to IMSTA FESTA Seoul in partnership with our South Korean distributor Gearlounge, connecting once again with the local audio community at one of the region’s most engaging music-technology events. #ImstaFestaSeoul #LiquidSonics #Gearlounge

Why pro mixers keep using the same reverb. It is not about sounding bigger. It is about emotion, depth & intention. Our good friend & mentor Matt Weiss breaks down @LiquidSonics Cinematic Rooms www.youtube.com/watch?v=uaRF... #Mixing #Reverb #MusicProduction

Why Pro Mixers Keep Using This Reverb - With Matt Weiss

YouTube video by Produce Like A Pro

youtube.com

AR Rahman (A.K.A. ARR) uses Cinematic Rooms Professional on the Fourier Audio transform platform for his 2025 Wonderment Tour in this brand new article on Mix Magazine. #arr #fourieraudio #ARRahman #cinematicrooms

AR Rahman Takes Fourier Audio on the Road - Mixonline

Composer/producer/musician AR Rahman (A.K.A. ARR) has been on the road this year with the 2025 Wonderment Tour.

mixonline.com

Swedish mix engineer Stefan Boman has mixed metal productions for bands like Opeth, Ghost, and Graveyard. LiquidSonics’ Seventh Heaven Professional is one of his go-to choices for reverb for Dolby Atmos Visit the link in part two to learn more! #SeventhHeaven #MixingMetal #Opeth #LiquidSonics

How do you create spatial depth without adding reverb? Mark Gittins (Judas Priest, Dream Theater Atmos mixes) uses Liquidsonics’ Seventh Heaven Professional as a spatialiser, favouring early reflections over late tail. 🔗 Full interview: at.liquidsonics.com/lz0mT7

Metal Meets Immersive: How Mark Gittins Crafts Spatial Mixes for Judas Priest and Dream Theater - LiquidSonics

Mark Gittins details his innovative approach to immersive metal mixing for Judas Priest and Dream Theater using LiquidSonics' Seventh Heaven Professional.

at.liquidsonics.com

IMSTA FESTA Seoul 2025, organised by @gearlounge, will take place on November 16th at Record Factory, bringing together world-renowned music software brands. Join IMSTA FESTA Seoul 2025 and don’t miss this opportunity to network, connect, and learn from industry experts and fellow music creators.

Mixer/engineer Thomas Warren (Sabrina Carpenter, Sam Smith): “Seventh Heaven Professional really captures the dimensional depth of the classic Bricasti spaces. The modulation, early reflections, and tail density all feel organic, it just falls into a mix effortlessly without creating muddiness.”

Grammy-winning engineer Steve Genewick (Elton John, Diana Krall, Quincy Jones) on his go-to reverbs: "Seventh Heaven Professional is on every mix I do. 99% of the time it's my main vocal reverb. By far one of the best reverbs available." #LiquidSonics #SeventhHeaven #ReverbPlugin

We had a great weekend at #Beatcon Berlin supporting Germany's thriving hip-hop and rap community. Timo Krämer and Julian David demonstrated reverb mixing techniques in a masterclass, while Eric Horstmann and Leo Elsner shared immersive workflows in the #DolbyAtmos room.  #deutschrap #liquidsonics

Grammy winner Jesse Ray Ernster (Doja Cat, Burna Boy): "Seventh Heaven Professional & Cinematic Rooms Professional are absolute staples in my template! The resolution is unparalleled." See why top engineers choose LiquidSonics for industry-leading reverb: at.liquidsonics.com/wAGuCG

As one of the industry's leading immersive audio engineers and educators, Justin Gray has mixed thousands of songs in spatial formats. But his "Immersed" project is the ultimate "Atmos-first" production, where spatial positioning isn't an afterthought but the genesis of the creative process itself.

Justin Gray composed "Immersed" from the ground up for #DolbyAtmos, placing listeners inside a 360° orchestra. Here, he reveals how Seventh Heaven Professional added a grand sense of ambiance to intimate studio recordings.

Sound designer & FOH engineer @stephenmhughes.bsky.social used Seventh Heaven Professional for this year’s BBC Last Night show: "I love how effortless it is to get natural-sounding reverbs. I tend to spend a lot of time tuning other reverbs, but these presets seem to nearly always be just right."

Chris Baseford (Nickelback, Shinedown, Rob Zombie): "Cinematic Rooms Professional might be the most natural-sounding reverb plugin I've ever used! Because it blends perfectly within a mix, it's easy to set the proper level and never second-guess it." #MetalProduction #MusicMixing #LiquidSonics

FOH engineer James Dunkley (Blind Guardian, Cradle of Filth) on using Seventh Heaven Professional live: "It’s understated, realistic, and just adds a sense of a real space rather than being an exaggerated effect." Learn more at at.liquidsonics.com/iL4ctN #livesound #metalmusic #metalmixing

In this short video Tom Fountainhead explains his discovery of LiquidSonics’ Tai Chi reverb plugin and what it meant for the #DolbyAtmos mixing process of his Changeling extreme metal project with Eric Horstmann of @immersivelab.bsky.social