Luciano Longo

@lucianolongo.bsky.social

I'm an independent researcher. I like manuscripts where the writing is still in progress: crossings-out, second thoughts, unfinished pages. I build digital editions and the ecosystems that keep them alive. https://luciano-longo77.github.io/en/index.html

Diana Rizzo dies in Trapani in 1624. I went looking for a second book about her. There are four: the first written by hand in 1625, another printed in 1659. In none of the four does she hold the pen. Not an exception: the shape of the genre.

Two title pages of the same Life, side by side. Left, a manuscript page in brown ink: "Vita della devota et humile serva di Dio suor Innocenza Riccio... Descritta dal P. Fra Girolamo da Sotera, predicatore dell'istesso ordine, in Trapani, l'Anno MDCXXV." Right, a printed title page: "Vita della venerabile serva di Dio suor Innocenza Rizzo, e Grimaldi da Trapani, vergine tertiaria de' Min. Oss. Riformati... Nuovamente raccolte dal P. F. Pietro da Palermo," with an engraving of her in religious habit giving alms to two poor men, and at the foot "In Palermo, per Pietro dell'Isola 1659." The engraving is captioned in Latin: "soror Innocentia Ricci, et Grimaldi Virgo Drepanitana." Captions below the two images read "Trapani, 1625 - manuscript" and "Palermo, 1659 - in print."

Her name was Diana. In the convent she becomes Innocenza; a friar writes her life; and the verses where she says "I" are written by another man. In the book that bears her name she never holds the pen. I am looking for the point where she does, crossings-out and all. Trapani, 1625.

Bild

I have started reading the lives and writings of religious women in Sicily, 1600–1750. Manuscripts and old prints, most of them never edited. I will be posting what I find, as I find it. Starting from one question: in these books, who is actually speaking?

Two facing pages of a 1625 manuscript, brown ink on laid paper, in a regular italic hand: from the life of Sister Innocenza Riccio, written by Fr. Girolamo da Sutera. The text describes how she prayed — continually, guided by the books of Fr. Bartolomeo da Salutio, her face on the ground, bathed in tears.