Luna Gray

@lunagrayhorror.bsky.social

Senior Staff Writer at iHorror. Author of No House Is Empty. Cult, queer, folk, indie, and streaming horror. Haunted history. Bodies becoming soup.

Jack Haven completely rearranged the way I think about slasher villains. We talked Little Death, the history of the trans monster, Michael Myers, queer cinema and the idea that maybe the killer isn't the threat. Maybe the killer is the load-bearing wall. ihorror.com/jack-haven-t...

Teenage Sex and Death at Camp Miasma: Jack Haven On Playing Little Death

Jack Haven talks playing Little Death in Jane Schoenbrun’s ‘Teenage Sex and Death at Camp Miasma,’ slasher history, gender, queer cinema and what comes next.

ihorror.com

I learned this morning that filmmaker Justin Hardy has died. Speaking with Justin and Dominic Hardy about Children of the Wicker Man became one of the most affecting interviews I have done.

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One of my favorite things about horror is how a tiny indie film can feel more dangerous than a studio movie with ten times the budget. Limitations do not kill horror. Sometimes they give it teeth.

The FANGORIA Chainsaw Award nominations are out. Awards are never an objective definition of “best,” but horror awards are useful because they reveal which strange little movies managed to linger in the culture. What deserved more recognition this year?

Christopher Nolan says he has always been interested in directing horror. His movies are already filled with guilt, fractured reality, hostile time, and men being emotionally destroyed by architecture. He is practically there. #horror

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MULDER [slapping down plane tix]: Hope you packed your rain coat, Scully. SCULLY: Seattle? Mulder it's the weekend, what- MULDER [handing her a file] Confirmed sightings, Scully. This is big SCULLY [eyes wide]: My God Mulder, what am I looking at here? MULDER: The locals are calling it.. JIMOTHY

Practical monsters. A deeply sinister Cricket. A wooden child learning every wrong lesson about humanity. I spoke with Rhys Frake-Waterfield about the tragedy underneath Pinocchio: Unstrung and the creative process behind the Twisted Childhood Universe. ihorror.com/pinocchio-un...

The Voices That Carved the Puppet: 'Pinocchio: Unstrung', Rhys Frake-Waterfield Interview

Rhys Frake-Waterfield on why his killer Pinocchio starts innocent, learns cruelty, and was built as a practical puppet instead of with CGI.

ihorror.com

I made a Bluesky starter pack for horror critics, filmmakers, writers, podcasters, publications, and the assorted weird little freaks keeping this genre interesting. Horror Critics, Filmmakers & Weird Little Freaks: go.bsky.app/1127RMa Tell me who belongs in the next update.

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Paul Tremblay and I talked about AI, creative ownership, Hollywood adaptations, his OpenAI lawsuit, and why saying no still matters. “It’s not that hard to say no.” My new interview is live at iHorror: ihorror.com/paul-trembla...

Paul Tremblay Would Like You to Know You Can Say No

Paul Tremblay discusses Dead But Dreaming of Electric Sheep, AI horror, Hollywood adaptations, copyright lawsuits, and why readers still have the power to say no.

ihorror.com

I don’t trust anyone whose favorite horror movie is “whatever’s number one this weekend.” Dig a little. Get weird. Find the movie that has 143 Letterboxd reviews and permanently altered someone’s personality.

The phone was already haunted. Now it has movies. TerrorFilms is bringing Beliath and Episode 12 to MicrohouseFilms as mobile-first vertical horror. I remain suspicious, but “lost paranormal TV episode on the device that tracks your every movement” is a strong argument.

Listen, I fucking love Bruce Campbell and the original trilogy, but people need to calm down. Evil Dead Burn is the ultraviolent version of the franchise we love. If you don’t like violence, the franchise hasn’t been for you in about 30 years anyway.