Máiréad Casey

@maireadcasey.bsky.social

Research interests: horror, gender, genre, sexuality onscreen, representations of sexual violence, demon possession

‘The representation of Odysseus as a reluctant warlord makes a nonsense of the movie’s imagined world. We are not shown that war or killing are bad, only that good men sometimes feel bad about it – a very different point.’ Emily Wilson on Christopher Nolan’s film. www.lrb.co.uk/the-paper/v4...

Emily Wilson · An Uncomplicated Man

As they say at the awards shows, I was humbled to learn that Christopher Nolan has read at least the first line of my...

lrb.co.uk

This was so much fun! Such a brilliant conference and so many kind people. Thank you for the invitation, @rebpaf.bsky.social!

REBPAF (Re-Mediating the Early Book: Pasts and Futures)@rebpaf.bsky.social · last mo.

📖 Day2 of our #REBPAFConference opens with @renskehoff.bsky.social’s keynote on hybridity & the many makers of early books, followed by panels on preservation, publishing networks, devotional books, Dutch romance, textual plurality & natural knowledge. Plus a lunchtime visit to 'Ink & Innovation'!

Info Image for Day 2 of the REBPAF Conference including the name of the keynote speaker, Renske Hoff, and a list of this day's panels.

📜🪶 What can medieval books tell us about childhood? From doodles and scribbles to traces left by young readers and learners, this new post by @kaiyankele.bsky.social (Bristol) explores how historians uncover the often-overlooked presence of children in medieval manuscript culture. #REBPAF #MSCA

Discovering the Traces of Medieval Children

Kaila Yankelevich, University of Bristol If you enjoy buying second-hand books, chances are you came across a volume that has been doodled on by a child. Schematic human figures, dashes of colour o…

rebpaf.wordpress.com