Maria Silina

@mariasln.bsky.social

Currently, I am involved in a collaborative project on restitution requests and irregular displacements and alienations of museum collections in the USSR. Montreal, 🇹🇩. They/them đŸłïžâ€âš§ïž

I'm pleased to share that my new book, Soviet Museums Between the Two World Wars: Art History on Display, has just been published. It explores how museums in the 1920s and 1930s grappled with questions of art history, education, ideology, and display, issues that continue to resonate today.

Soviet Museums Between the Two World Wars: Art History on Display

Examining the history of Soviet museums in the 1920s and 1930s, this book engages with the core problem of interwar museology: adequately representing the historical development of art to create a pla...

routledge.com

tr.ee/v2BT94Iajv In the immediate aftermath of the war, thousands of archival items - including books and manuscripts from LĂŒbeck, Hamburg, and Bremen - vanished into the Soviet Union. Valentin Portnykh sheds light on the restitution negotiations between Bonn and Moscow.

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At times, Soviet museums were allocated foreign currency to buy back Russian paintings that had left the country after 1917. This work, for example, was acquired at Christie’s in 1979.

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We argue that these large-scale cataloguing initiatives are resource-intensive and often unviable given the constraints African governments face. We advocate for a strategic reallocation of limited government resources toward community-led restitution projects openrestitution.africa/resources/re...

Rethinking Inventories for African-led Restitution | Open Restitution

This report responds to an emerging challenge in the restitution landscape: African governments and decision-makers are increasingly considering comprehensive national inventory programs that attempt

openrestitution.africa

En 2006, le musĂ©e russe de l’Ermitage refuse aux Ă©quipes du musĂ©e Guimet l’accĂšs Ă  des piĂšces archĂ©ologiques lui appartenant, dĂ©posĂ©es (« prĂȘtĂ©es ») depuis les annĂ©es 1930. La Russie estime qu’il s’agit de dons incessibles et inaliĂ©nables. culture.gouv.fr/nous-connait...

MinistĂšre de la Culture | MinistĂšre de la Culture

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culture.gouv.fr

Hi! I'm looking for someone with experience working in auction house archives. I'm particularly interested in Parke-Bernet Galleries (later acquired by Sotheby’s), but any general advice or pointers would be greatly appreciated!

‘I was speculating: if China really wanted something back, how would that conversation go?’ Joel Tan explains why he wrote a play about the British Museum returning a fictional statue in ‘Scenes from a Repatriation’ buff.ly/DggGOYf

Restitution drama: an interview with Joel Tan | Apollo Magazine

The Singaporean playwright talks to Arjun Sajip about dramatising the return of a fictional Buddhist statue from the British Museum to China

apollo-magazine.com