Mark Allison

@markyallison.bsky.social

Writer and broadcast journalist / Contributor for BBC Culture, Little White Lies / Listen to the colour of your dreams

I've never watched Beatles Anthology series before, so I'm really enjoying the re-release on Disney+, but the AI upscaling on all the archive footage is monstrous historical vandalism. The lads' faces keep morphing into uncanny doppelgangers, and text is frequently mushed into gibberish.

Lots to say about One Battle After Another, but it's one of the best experiences I've had with IMAX. The Vistavision cinematography was unbelievably immersive. At times it felt like I was physically riding a rollercoaster.

Cowboy, spy, journalist, paratrooper - Robert Redford had all my dream jobs when I was growing up. A blockbuster superstar who used his power to champion independent cinema, he represented all that American movies had to offer.

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In 1947, British Foreign Secretary Ernest Bevin said the UK needed to build a nuclear bomb "with the bloody Union Jack on top of it." It's a real shame isn't alive to see his dream become reality in Mission: Impossible - The Final Reckoning.

I say this with a very heavy heart, but I did not get on with Mission: Impossible - The Final Reckoning. A couple of reheated stunts from Roger Moore Bond films can't save this talky, confused slog of a film. The endless procession of fan service, callbacks and retcons puts Spectre (2015) to shame.

They don't build actors like Gene Hackman anymore. Never predictable, his presence could be fearsome, charming or pathetic, but always a little enigmatic. He dominated so many classic movies, more than I can recall.

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Halfway through series 2 of SAS Rogue Heroes, and I'm a bit torn. I'm glad to see a British WWII drama with some money behind it, and it's enjoyable as pulp entertainment. But every historical event and character is sensationalised to the point of irritation. Mayne is really getting on my nerves.

Watching Beatles '64 again, and it's very funny that every documentary about the Beatles, without fail, includes this shot of a sign greeting the lads at JFK airport which reads "ENGLAND GET OUT OF IRELAND"

Beatles fans at JFK airport in February 1964. One holds up a sign which reads "ENGLAND GET OUT OF IRELAND".

Really enjoyed Beatles '64. Those already familiar with the Maysles Bros' footage might be a bit disappointed there isn't more focus on Beatles antics and performances, but the film does a good job of exploring what made them so revolutionary within the broader context of American culture.