Matěj Čadil

@matejcadil.bsky.social

Tolkien-inspired artist 🇨🇿 Illustrator of Middle-earth & beyond 📜 Bringing Tolkien’s words to life in art 🏔 Inspired by wild hills, ancient halls & forgotten roads ✨ Exploring beauty, myth & light in dark places My shop: https://www.etsy.com/shop/MatejCadil

I have finished the line art for my illustration of Out of the Frying Pan into the Fire from Chapter 6 of The Hobbit. So many things happen in this scene at once. I also loved writing the names of the characters in runes. ⁠ Which details caught your attention the most.? ⁠

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ack to illustrating chapters from The Hobbit! I got a little stuck with them, but it's high time to get back to it. Let's draw fifteen birds on five fir trees! (Well, they weren't all fir trees, but the goblins obviously didn't care).⁠

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17 January - The Fellowship of the Ring are led through Lothlórien and reach Cerin Amroth. 🌳⁠ ⁠ "I feel as if I was inside a song." Sam’s words perfectly capture the essence of Lothlórien. ⁠ This scene has always been one of my favourites in The Lord of the Rings. What do you think of my depiction?

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On this day in Middle-earth 📅 On 13 January the Fellowship of the Ring reach the West-gate of Moria.⁠ ⁠ The Doors of Durin are among the most iconic images in Tolkien’s world and I really enjoyed drawing them opening "Absurdly simple, like most riddles when you see the answer."

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I’ve started a Substack: Visions of Middle‑earth. A home for my longer dives into Tolkien’s world: the research behind my art, the symbolism, and the curious questions that arise when you look too closely at the texts. You’re welcome to read and subscribe: 👉 matejcadil.substack.com 👈

Visions of Middle-earth | Matěj Čadil | Substack

Exploring Tolkien’s world through art. Click to read Visions of Middle-earth, by Matěj Čadil, a Substack publication. Launched 14 days ago.

matejcadil.substack.com

"Mr. Bilbo has learned him his letters – meaning no harm, mark you, and I hope no harm will come of it. ‘Elves and Dragons’ I says to him. ‘Cabbages and potatoes are better for me and you. Don’t go getting mixed up in the business of your betters, or you’ll land in trouble too big for you,’"

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Before the Stones of Orthanc and Minas Tirith, another palantír lay hidden in Middle‑earth: the Elendil Stone of Elostirion. Unlike the others, it gazed westward, revealing visions of the Undying Lands. Until Círdan placed it aboard Elrond’s ship at the end of the Third Age. #tolkienart

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Do you remember this moment from the Lord of the Rings when Gandalf "risks a little real light" and the Fellowship suddenly becomes aware of the vastness and forgotten beauty of Khazad-dûm? I really enjoyed depicting the vast hall in the background. I think the white-on-black works well for it.

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The Forbidden Pool (2022). A dangerous spot to go fishing, although Gollum seems to be enjoying it. But someone may be watching him... 👀⁠ ⁠ Henneth Annûn has always been one of favourite locations in the Lord of the Rings. ⁠ Does my illustration look similar to how you imagined this place?⁠

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"Mr. Bilbo has learned him his letters – meaning no harm, mark you, and I hope no harm will come of it." ⁠ Line art, but I am going to make a fully coloured illustration. What do you think of it so far?

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The Doors of Durin are among the most iconic images in Tolkien’s world. There are many illustrations where they are shown closed, but I wanted to capture a different moment: when the riddle is solved and the doors open.

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How do you imagine the Crown of Gondor? 👑 In the book it is described beautifully, a jewelled silver helm with pearl wings. But it's difficult to actually depict. No wonder there are few illustrations and the film depicted it totally differently.⁠ So, obviously, I had to try it myself. 😁

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Today’s piece (for Inktober 2025 Day 22 prompt "Button") is a moment from The Hobbit, just after Bilbo’s escape from the goblin tunnels. On the rocky doorstep lie the remnants of his struggle: the shiny brass buttons that burst off as he squeezed through the door.⁠

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For the Inktober prompt "Arctic", I was inspired by a passage from the Appendix to the Lord of the Rings, about Arvedui the last king of Arnor, who escaped from the fall of Fornost to the far north to the shore of the Ice bay of Forochel and waited for the rescue by the elven mariners of Círdan.

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At last I managed to draw something for this year's Inktober. 😅 More because I finally found some time to draw, than because I was especially keen on this prompt "Heavy", for which I finished it too late anyway. 😄

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There is a Shadow by the Door (2023) ⁠ The awful moment when Bilbo is stuck in the door out of the goblin-tunnels – invisible himself, but his shadow has just been spotted by the goblins.⁠ What do you think of my depiction of that moment?

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Finished line art for my new illustration of "Riddles in the Dark".⁠ ⁠ Bilbo sits on the dark shore of the lake, while Gollum lurks in his little boat. Around them, circular vignettes show the riddles, with the text, hand-drawn into curved decorative bands.⁠ ⁠ What do you think of it so far?

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The King's Tree from Tolkien’s short story "Smith of Wootton Major", made for the last prompt of the Amon Hen art challenge “Tales from other realms”. I love to illustrate these lesser known stories by Tolkien.⁠

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Work in progress: Next Hobbit chapter illustration, Riddles in the Dark. At the centre will be Bilbo and Gollum in their fateful riddle-game, while around them I’m drawing ten small vignettes, each one showing a riddle.

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