Matt Payne

@mattpaynephoto.bsky.social

Full-time Nature Photographer, Host of the F-Stop Collaborate and Listen Podcast, Muench Workshops Pro. https://www.mattpaynephotography.com/page/quick-links/

This week on F-Stop Collaborate and Listen: There are photographers who follow the light, and then there’s Nevada Wier, who chases what the eye cannot see. Tune in to this week's episode to learn everything you ever wanted to about IR Photography!

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This week on the F-Stop Collaborate and Listen podcast: Tom Murphy shares his wisdom. Choose a place, commit, and let it change you. Tom Murphy’s story is proof that you don’t have to fly across the world to find something worth photographing.

White ermine mid-leap over fresh snow with sparse dry grass patches around.A bison calf nuzzles the head of an adult bison in a grassy field with another bison blurred in the background.Adult moose standing protectively with two young calves in a forest clearing with green trees in the background.Dense forest of slender trees with bright yellow autumn leaves contrasting against bare lower branches and dry grass in the foreground.

I'm working on some new wildflower photographs I captured this summer here in Colorado, and I'm excited to get them out into the world, but they aren't ready yet. So, enjoy these from past trips and years. <

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Geology is awesome. I love learning about it and leaning into my curiosity about it to make photographs of the natural world, like these. 1. Fleisch rock formations in Spain 2. Selenite crystals in Utah 3. The Black Mountains above Badwater Basin, Death Valley 4. Mount Rainier and glaciers

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Meet this week's F-Stop Collaborate and Listen podcast guest: Tom Murphy, a photographer who chose to live at the edge of Yellowstone for nearly fifty years, all to understand a wild place more deeply.

A herd of bison covered in frost standing in a misty, cold landscape during early morning.

Still one of my favorite photographs, and it wasn't captured at sunrise or sunset, in fact, it was captured about an hour after sunrise when the light was much more even but still dynamic. Also one of my best selling images!

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When Seasons Collide, the Mountains Are My Guide. 1. West Elk Mountains, Colorado (fall to winter) 2. Elk Mountains, Colorado (fall to winter) 3. Patagonia, Chile (fall to winter) 4. North Carolina, Blue Ridge Parkway (winter to spring)

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This week on F-Stop Collaborate and Listen: Scott McCook believes photographers need to truly understand their subject, especially when documenting landscapes marked by industry or change. That kind of intention shapes the images we make and the conversations they start.

Aerial view of numerous circular salt ponds with varying shades of blue, green, and turquoise separated by narrow earthen barriers.Aerial view of a narrow, sandy peninsula surrounded by turquoise and deep blue ocean waters.Aerial view of a narrow, winding sandbar surrounded by turquoise and dark ocean waters.Close-up of a textured surface featuring a mosaic of red, pink, white, and orange tones arranged in a wavy, patterned design.

Have you ever wondered what the world looks like when seen from above? Meet Scott McCook, an aerial photographer from Western Australia whose work challenges us to see both the beauty and impact of human presence on the landscape.

Aerial view of a vibrant red and orange cracked landscape with a circular structure and radiating lines at the center.Aerial view of colorful salt evaporation ponds with vibrant blue, green, yellow, and white pools separated by narrow earth barriers.BildBild

This week on the F-Stop Collaborate and Listen Podcast: Ever noticed your photography shifting as your life changes? Reflecting on Rick Bebbington’s journey makes me look at my own photos in a new light.

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Meet Rick Bebbington. When Rick joined me on the podcast, we explored not only what holds photographers back but why it’s often about much more than the camera itself. Tune into the F-Stop Collaborate and Listen Podcast to hear about his journey. One of my favorite episodes I've recorded.

Soft sand dunes with tufts of grass under a colorful sunset sky by the ocean shore.Small yellow cabin with a green roof sits alone on grassy land by a large body of water under a cloudy sky.A solitary white house with a lit window stands on a grassy plain beneath mist-covered mountains at dusk.Two women sitting on a bench facing the ocean on a ship's deck while a man in a cap looks at his phone nearby.

This week on F-Stop: Discover Garrett Hess' journey into art and photography! Learn how consuming creative works passively builds composition fundamentals, leading to a deeper understanding of what makes a photo truly shine. It's about finding purpose and expressing yourself through the lens.

Here are four wildly different scenes all captured in Western Australia (W.A.). These are part of my project which aims to document abstraction and tie it to a variety of concepts impacting place in W.A. Interested in seeing or learning more? Shoot me over a message.

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Here are a few glimpses into the world of Garrett Hess, this week’s guest on F-Stop Collaborate and Listen. Garrett has built his life and practice around Erie, Pennsylvania, photographing the Great Lakes and the ever-changing moods just outside his door.

Sunset casting warm light over a rugged, icy landscape with rolling frozen hills under a cloudy sky.Sunlight reflecting off waves crashing over dark rocks in the ocean at golden hour.Snow and ice formation creating a natural arch over a partially frozen stream at sunset with pink and purple clouds.Turbulent ocean waves crashing under a gray, stormy sky with white foam and spray.

What would your photography look like if you had to press pause on the endless scroll? This week’s conversation on F-Stop Collaborate and Listen features Ben Maze and Murray Livingston - two photographers who remind me what it means to dig deeper.

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This week on F-Stop Collaborate and Listen: When you’re always the new kid or stationed far from home, you learn to look at things from many points of view. Nichole Vild’s story reminded me how photography can be an ally in that way: encouraging us to pause.

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I recently led a super fun workshop out at White Pocket in the Vermillion Cliffs National Monument - for sure one of my favorite places to photograph in the SW. I revisited some old favorites and showed our awesome students how to capture some sweet night sky images.

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"The Arrival (2026)" Look up. They are coming. Do they have good intentions? These forms drifting across a crimson and blue sky don't have a satisfying earthly explanation. Your brain cycles through clouds, jellyfish, leaves, perhaps alien life?

Alien ships approaching...

I believe some guests on my podcast offer a lived wisdom that only experience and vulnerability can teach. Nichole Vild is one of those people. Her years moving across continents as an Army officer, then choosing to start over as an artist, brought a perspective I felt we all needed.

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This week on F-Stop: Sometimes life asks us to reinvent not only what we do, but who we are. This week, I spent time with Nichole Vild, a photographer, Army veteran, and someone who has learned to embrace change on both the inside and out. We also discuss the exciting and emerging topic of Neuroarts

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