Snacks Pearl

@max-pearl.bsky.social

Critic. Translator. Semi-retired raver.

I wish every academic would read this excerpt from Josh Kline's interview about his recent essay on artists, NYC & affordability. I have questions about his broader argument, but this discussion of the political implications of jargon vs clear writing is deeply relevant to current state of academia

 I’d like to dwell a bit on the prose of this essay, which is clean and crisp. It’s often funny, too: I’m thinking here of the part where you note that Christopher Wool’s recent show in a Financial District skyscraper was “LARPing as a kind of Epcot Center version of downtown New York.” This is not the kind of writing that typically appears in October, whose articles are often pocked with jargon. Why did you write it in this way?

Clear, accessible, and effective communication is a political choice. It’s also a political tool. We were taught the function of jargon in the cultural anthropology classes I took in college. While it can be a way to have very specific and nuanced conversations about a subject within a field, jargon can also be used to hide knowledge, exclude the uninitiated, and maintain or build power. If you want to engage working people and the general public politically and make convincing arguments about transforming society, why make those arguments in a form that excludes all of those people? How will you convince anyone of anything if people put down your writing before they finish reading it? You can make urgent ideas legible for readers outside your industry without dumbing them down.

Amid the ICE invasion of Minnesota predicated on "Somali fraud," a right-wing news site aggressively deployed a similar playbook in Maine—with $$ from some of the GOP's biggest donors My dive into The Maine Wire, anti-Somali hate, and the dark money fueling it theintercept.com/2026/04/08/m...

GOP Megadonor Leonard Leo Is Bankrolling a Website on the Warpath Against Somalis

The Maine Wire presents itself as a plucky upstart fighting for the common Mainer, but it’s fueled by powerful right-wing money men.

theintercept.com

“He’s a man of his time and a victim in his own right, someone whose suffering made him susceptible to the worst values of his era.” In @thenation.com, Max Pearl reviews Manuel Mujica Lainez’s newly reissued novel, “Bomarzo” - www.thenation.com/article/cult...

In “Bomarzo,” the Renaissance Man is a Monster

Manuel Mujica Lainez’s historical novel, a strange biography of a 16th-century duke, leaves the reader wondering if human nature can ever change.

thenation.com

This week on 𝑺𝒆𝒑𝒂𝒓𝒂𝒕𝒐𝒓, I wrote about 𝑬𝒗𝒊𝒅𝒆𝒏𝒄𝒆, the newly reissued photobook that laid the groundwork for found photography. Compiled in ‘77 by Larry Sultan and Mike Mandel, it's a portal to an uncanny dimension, conjured with images from government archives. open.substack.com/pub/maxxpear...

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