Mert Özer

@mert-o.bsky.social

Das Potenzial der Photovoltaik ist ziemlich hoch. Das gilt vor allem für das Sommerhalbjahr. Aber auch in der Übergangszeit trägt PV sehr viel zur Energieversorgung bei. Die aktuelle Grafik am Beispiel unseres Hauses Im November noch 50%.

Die Grafik zeigt die so genannte "Autarkie", d.h. den Anteil am selbst genutzten Strom aus der PV-Anlage am gesamten Strombedarf.

Scanning Electron Microscopes analyze invisible surfaces. However, they’re only able to take grayscale images. Manual coloring is a cumbersome process and that’s why FAU researchers are using the 3D structure to propagate one colorized view to a whole scene. Impressive! 🎨 Artwork by Micronaut.

Wir müssen die Strassen-Laternen auf LED umrüsten. Der jährliche Strombedarf ist höher, als das Leuchtmittel. Eine solche Investition kostet zwar, aber die zukünftigen Haushalte der Kommunen werden unnötig belastet - Nicht LED-Lampen sind unwirtschaftlich.

Man sieht im Hintergrund ein Hochhaus. Vorne ein Steiger mit zwei Menschen, die an einer Straßenlaterne arbeiten

We handle occlusions by employing amodal completion for each instance. The completed instance is then reconstructed using existing models that perform well for single objects. However, we first address the object crop domain shift (e.g., focal length) through reprojection. (4/5)

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First, we parse the image of the scene by identifying the composing entities and estimating the depth and camera parameters. Each instance is then processed individually. The unprojected depth serves as a layout reference for composing the scene in 3D space. (3/5)

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Most single-image scene-level reconstruction methods require 3D supervised end-to-end training and suffer from poor generalization capabilities. We propose a modular approach where each component performs well by focusing on specific tasks that are easier to supervise. (2/5)

(3/3) As for colorization, we use color images manually colorized by artist Martin Oeggerli, we project colors onto 3D space with estimated depths and take the colors to create supervision, and also use feature loss employed by Ref-NPR to estimate invisible areas of input colors.

(2/3) Our work utilizes Scanning Electron Microscopy (SEM) images of pollen. Two stages: grayscale novel view synthesis and colorization. The grayscale scene is represented by 2DGS, where poses are estimated using perspective projection with exceptionally long focal lengths.