Mical Noelson

@micalnoelson.bsky.social

Artist using paint, pencils, computer screens, and dirt. micalnoelson.com

WIP VR sessions I still think I might be going in the wrong direction with these. Maybe as a balanced and or compelling image. But I am in love with the deep and tangled space that is evolving.

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I had a couple of great conversations with @_Evelyn_O_ about his practice of manipulating prompted AI images into these fascinating figurative works. At the end of July I asked him if he was interested in making a series collab together. It's early days atm, but I am enjoying the discovery.

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1 of 3 new digital sculptures. I have finally managed to re-define my 3D work flow. Breaking down the linear path of sculpt/retopo/unwrap/texture, and living more inside creativity in every stage. Any decision at any point can disrupt and deconstruct.

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Two pieces from my collection 'TIME TRAVEL FOR DUMMIES' The artworks present a landscape of the distant world where a human encounters an enormous pink creature. It telepathically says 'Hi, pal. I trade with you my mind.' and teaches the human time travel. Avail on OBJKT 🔗here borya.xyz

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With "Wysh" I really tried to get a subtle a variation between the hues as possible. It can be quite scary because you wonder if that translates when the digital medium likes striking boldness. When I spend time with it though it seems to pulsate and hum.

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It was really a wonderful experience using Exchange Art's new exhibition feature. With ''A conversation'' I wanted to put my work in visual context with some of my contemporaries that I have had the pleasure of collecting their work.collecting their work.

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Been looking at this and can't escape the connection to Kanagawa oki nami ura. There's a looming inevitability about a splash or a wave caught before it crashes. A form of stored energy, the moment can never be still.

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