Nathan Bransford

@nathanbransford.com

Author of How to Write a Novel and the Jacob Wonderbar series. Blogging holdout. Reach out to me for help with your book! www.nathanbransford.com

When an agent offers representation, you'll be tempted to shout yes before they even finish the sentence. Take a step back. Ask questions. You're entering one of the most important business relationships of your life, and you need to trust each other.

Writing is usually solitary, but you don't have to go it alone. Find some fellow writers, even someone you can sit next to while you both write in silence. No one else quite understands how hard this is, and their company is golden.

"Three Black authors received major publishing deals this year, and all three later had deals cancelled or disrupted following suspicions about AI." - Jerry Falade All this as studies have shown AI writing detectors disproportionately flag Black authors.

$2m crime novel deal collapses amid questions over AI use

Agents withdraw Jerry Falade’s hotly anticipated debut after saying they can no longer authenticate ‘how the manuscript evolved’

theguardian.com

Another helpful roundup of the AALA ethics changes by @victoriastrauss.com at Writer Beware. Writers need to be more vigilant when approaching literary agents than ever.

Victoria Strauss@victoriastrauss.com · 5d ago

New #WriterBeware blog post: The AALA has made major revisions to its Canon of Ethics. What's changed, where I think the changes fall short, and questions about the future of the agent profession raised by the issues the Canon has been revised to address writerbeware.blog/2026/07/31/t...

Another helpful roundup of the AALA ethics changes by @victoriastrauss.com at Writer Beware. Writers need to be more vigilant when approaching literary agents than ever.

Victoria Strauss@victoriastrauss.com · 5d ago

New #WriterBeware blog post: The AALA has made major revisions to its Canon of Ethics. What's changed, where I think the changes fall short, and questions about the future of the agent profession raised by the issues the Canon has been revised to address writerbeware.blog/2026/07/31/t...

Many great stories show the protagonist in a nadir where all hope seems lost, then they must ascend toward the climax. Your protagonist may or may not ultimately get what they want, but they shouldn't be the same person they were at the start.

A great villain stands in the way of what your protagonist wants, and often represents a whole different worldview. It's the most powerful obstacle (interior or exterior or both), the one that forces your protagonist to dig deepest, and is usually almost but not quite as strong as your protagonist.

I personally believe in sending out queries to about seven to ten agents at a time. It keeps you from hanging endlessly on one response, and if the requests aren't coming, you can adjust the letter before the next batch goes out.

Protostar IRAS 04302+2247 will one day emerge from its “cocoon” of gas and dust. 🦋 #NASAWebb and Hubble looked at this baby star, capturing aspects like the protoplanetary disk and two wing-shaped reflection nebulas. Credit: NASA, ESA, CSA, M. Villenave et. al.

Toward the top left is protostar IRAS 04302+2247, which looks like a butterfly against the black background of space. The nebula’s bright core is split by a narrow, vertical dark band, its “body.” Two rainbow lobes of light radiate outward from the dark band, shaped like butterfly wings. The right lobe is more diffuse and significantly larger than the left lobe, extending toward the bottom right. Numerous background galaxies and stars are visible across the field.

Your query letter's pitch has two jobs: make your book sound awesome and show the agent you can write. If your book is funny, the query should be funny. Reading the query should *feel* like reading the book.

I was on the 9pm Pacific Surfliner from San Diego to Los Angeles (already delayed an hour+) and the conductor said the tracks are totally washed out between Oceanside and San Juan Capistrano. Our train terminated in Oceanside.

Everyone feels sad, angry, and scared. Characters come alive in *how* specifically they channel universal emotions. If you find yourself writing “she felt nervous,” try showing us what she does and/or how she thinks when she's nervous.