Grant

@nothingunfinished.bsky.social

former @tonemadison.bsky.social writer / editor / misc, occasional film programmer, gamer, vegan. in limbo, on the spectrum.

quite tired of hearing movie characters declare they "deserve more" when pondering relationships. they surely deserve more... from their own writers. please come up with better dialogue. (THE INVITE is mid as hell.)

increased dialogue about media preservation in the last week, for good reason. not that I emphatically endorse splurging on physical items atm, but I'd still recommend starting a collection over paying for subscription services. recent additions to my own from the VS and B&N Criterion sales:

Angled photo of a collection of 13 sealed Blu-rays displayed on a royal blue armchair. From the top left to bottom right, the alphabetically arranged titles include BERBERIAN SOUND STUDIO, COMPENSATION (1999), THE DELTA, FRESH KILL, HIGH ART, A MAN AND A WOMAN (1966), NIGHT OWL, PLEASE BABY PLEASE, RESURRECTION (2025), The Films of Hisayasu Satō Volume Four, SPEAKING PARTS, WHEN TOMORROW DIES, WHO KILLED TEDDY BEAR?

finally finished act three of SILKSONG early this morning to the ambient sound of heavy rain outside. an overwhelming experience. 🪡 unparalleled art direction, sound, and scope undone by intermittently baffling game design decisions. let us never speak of the Old Hearts quest again. pure hell, lol

Screenshot of a cutscene in HOLLOW KNIGHT: SILKSONG, when Hornet gazes upon Haunted Bellhart for the first time.

I've been watching a number of '90s movies lately, so it seems appropriate to recognize THE CABLE GUY's 30th theatrical anniversary today. here's a substantial piece I wrote on the formative black comedy for its 25th at the tail-end of @tonemadison.bsky.social's streaming coverage era:

Retreading the information superhighway: "The Cable Guy" at 25 – Tone Madison

Ben Stiller's densely divisive cult film is a satirical commentary on Gen-X media culture, but it has now become a memorable cultural moment in itself. ️

tonemadison.com

recently finalized this Mills Folly Microcinema program at @artlitlab.bsky.social on Wed, June 10. v excited to have Canadian animator, filmmaker, installation artist, sound designer, professor (et al.) Emily Pelstring here in person! pls join us for a psychedelically profound evening. ✨

Our Psychedelic Nature: Short Films by Emily Pelstring

Mills Folly Microcinema welcomes filmmaker Emily Pelstring for an in-person presentation of Our Psychedelic Nature, a program of her short films, on Wednesday, June 10, 2026 at 7:00pm. Suggested donat...

artlitlab.org

Phillip Golub was kind to ship out an early copy of his record, PARTISAN SHIP, which isn't out until next Friday. the continuous 3/4-hour composition is intense microtonal bliss—restlessly innovative avant-nu-jazz with a rotating cast of peerless NYC players. riyl Anna Webber's Shimmer Wince

Close-up photo of a CD copy of Phillip Golub's 2026 composition / album PARTISAN SHIP sitting upright on a violet-blue chair. The CD cover art features an abstract painting by Mario Layne Fabrizio.

talked / talking about the 2026 Wisconsin Film Festival again this week, so I thought I'd share my initial written post-assessment. also my first contribution to @isthmusmadison.bsky.social arts beat. thanks so much to everyone over there, especially Linda, for letting me work in some niche details

The 2026 Wisconsin Film Festival captivated committed crowds

An impressive 61 of the 120 screenings sold out, reports the fest's director of operations, Ben Reiser.

isthmus.com

in my last true piece for Tone, I—maybe most appropriately—connected with an artist who has significant ties to my home state of Pennsylvania. highly recommend making it to at least one of the Midwest Video Poetry Fest programs this Saturday at Art Lit Lab artlitlab.org/events/2026-...

Tone Madison@tonemadison.bsky.social · 4mo ago

"...[Anne] Ciecko determinedly forges her own path through multimedia, and packs in a staggering amount of history in not only her vivid diction but in affectionate, architectural-focused footage around the rust belt city," writes Arts Editor @nothingunfinished.bsky.social.

I'm going to miss writing pieces like this for local readers and even those beyond the proximity of that community, who are seriously interested in filmmaking and process. while I know my approach limited the audience, it's also not something other publications really cared about. for the artists...

Tone Madison@tonemadison.bsky.social · 4mo ago

"...This is a challenge that really interests me as a filmmaker: of 'empty space' or the question about whether or not the camera and its mere presence in space can index a historical trace or the latency or the presence of a ghost past. Can that be transmitted purely by the presence of the camera?"

a whole host of ppl contributed to this initial survey of the 2026 #wifilmfest. it's also important to me to capture the visual identity of the festival, and I appreciate Art Director Christina King sharing her design philosophy behind this year's infinite ribbon.

Tone Madison@tonemadison.bsky.social · 5mo ago

Arts Editor @nothingunfinished.bsky.social introduces our extended preview of the 2026 Wisconsin Film Festival (April 9 through 16): "...May your experience offer a hopeful pleasure that reminds you of the potential for better days, and the collaborative power of art through community." 🎞️

finally finished arranging my fav 2025 releases from July thru Dec for #bandcampfriday. an inspired medley of transportive discoveries and formative artists, which kept me grounded amid personal and professional (and universal) tumult... once more. grateful to engage with these sounds and textures

Bild