New York Review Books

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"I think I believed—maybe I still believe—that the kind of theoretical writing or criticism that I was interested in would somehow poetically, in a way, in itself change the world." Brian Dillon speaking with Tia Glista at Toronto Review. Dillon's new book, Ambivalence, is out in the US today.

Tia Glista and Brian Dillon in conversation | Toronto Review

Reviews editor Tia Glista interviews critic Brian Dillon about his new work of life-writing, 'Ambivalence,' an affect he describes as like “equivocation, paradox,” and androgyny, “which would render t...

thetorontoreview.ca

"Reading Grossman's dispatches alongside a slew of new books written about the war in Ukraine, I found myself wondering: What lessons might Grossman hold for the modern war reporter?" Excellent article about war correspondents past & present, anchored by Vasily Grossman's From the Front Lines.

The Dial@thedialmag.bsky.social · 2d ago

Writers confront a series of choices when documenting war. Should they focus on the hard facts or detail its psychological effects? Report from border crossings or combat zones? Perhaps, @nickholdstock.bsky.social posits, “the best war reporter is not a war reporter at all.”

"Reissued work is sometimes overpraised, out of an urge to embrace a great artist who went out on the tide of obscurity. And so it’s exciting and alarming to discover how worthy [Nancy] Lemann’s work is of reclamation: her crackling humor, her sharp and soulful observations of character."

Nancy Lemann’s Wasted Youths

The New Orleans writer’s career has been refreshingly unproductive. She writes the only way she knows how: comic, intuitive, frustrating.

newrepublic.com

"She was Venus come down from Mount Olympus." Virginia Verasis, Countess of Castiglione, the Victorian beauty who seduced Louis-Napoleon Bonaparte to get France on the side of Italian independence, is the subject of a brilliant new biography by Benedetta Craveri. @litreview.bsky.social.

Jonathan Keates - Fixer from Florence

Jonathan Keates: Fixer from Florence - La Contessa by Benedetta Craveri (Translated from Italian by Alex Andriesse)

literaryreview.co.uk

Big day in NYRB HQ, Diane Williams's new collection, I Liked Rex, is out. If you haven't read her work: it is made up of tiny, coruscating tales which are among the most tender, funny, peculiar, and searching works in all of contemporary literature.

Bild

"As other critics have noted, her work is undeniably strange." Well, yes. A review of Rosalind Belben's Is Beauty Good. "[S]he refuses to censor her imagination, her exacting fiction, in order to protect readers from her experience of life, in all its ugliness and all its glory."

Is Beauty Good by Rosalind Belben review – the literary equivalent of free jazz

Combining hilarious detail with harsh observation, this rediscovered novel takes the reader on an exhilaratingly strange journey

theguardian.com

"From this ground, her stories rise like so many private chapels, small, secretive, poised, and richly ornamented. Their architecture, her style, is their singular achievement." —Merve Emre on Diane Williams's new collection, I Liked Rex, out next week.

‘Let Us Fall for Whatever We Want To’ | Merve Emre

“I Liked Rex”: this is the title of the title story in Diane Williams’s new collection. These three words, subject, verb, and object, form a complete

nybooks.com

"The Children of Light is a galaxy-spanning space opera that charts the troubles of the Zors.... Not that its author would agree that this is a moral fable, or even a fabulation in any sense." —Séamas O'Reilly on the best graphic novels of 2026.

Bild