The Disney renaissance movies used to look different. They were planned to be printed on 35 mm film -- that's how they were first released. Modern editions skip that last step in the process. It was a highly developed, overlooked craft, as we explore: animationobsessive.substack.com/p/disneys-fi...
とんがり帽子9話をご視聴いただきありがとうございます。 Thank you for watching Witch Hat Atelier #9. ※ファンアートです #とんがり帽子のアトリエ #WitchHatAtelier #Δ帽子
i keep accidentally dipping my earbuds into liquids..... water, coffee, tea,, thank you for still working ,,,,
only 4 exams, 2 essays, 2 presentations and 1 assignment to go........ i can do it
ces jours-ci la seule chose qui me motive d'aller a l'uni c'est la chocolatine que j'achète en revenant a la maison 🤤 c cher mais bon ca marche GRRR
They don't really look like much, but it's difficult to describe the impact of these experiments. Many of our colleagues were quite surprised that this kind of thing could actually work. All that we'd done before—Mindgame, Animatrix, going back to Noiseman and Extra—was considerably less complex.
Michael Arias@michaelarias.net · 2y agoAnother 2004 experiment in hybrid cinematography — a crane/dolly shot. (Maybe these days we'd call it a drone shot 🤷) Never used this move in the movie, though we did many big aerial shots. #TEKKONKINKREET #AMERBETON #鉄コン筋クリート #Anime #AnimeBg #ToonRender #softimage
