Open Art

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Close readings of public-domain paintings from permanent museum collections. The object. The artist. What is verifiable.

Tani Bunchō's "Gazing at a Waterfall" features ink and color on silk. It is a hanging scroll from 1790, created during the Edo period in Japan. The Cleveland Museum of Art holds this piece.

A hanging scroll painting by Tani Bunchō titled 'Gazing at a Waterfall'. The painting shows a figure looking at a waterfall, with ink and color on silk, typical of the Edo period.

Wang Yuanqi's 'Landscape after Ni Zan' is a hanging scroll from 1707. It uses ink and light color on paper, typical of his approach to landscape painting. Cleveland Museum of Art.

A hanging scroll painting titled 'Landscape after Ni Zan' by Wang Yuanqi, featuring a traditional Chinese landscape with mountains, trees, and water in ink and light color on paper.

Wu Bin's 'The Five Hundred Arhats' is a handscroll from the Ming dynasty, created between 1591 and 1626. It is ink and color on paper. The scroll is part of the Cleveland Museum of Art's collection.

A detailed handscroll painting by Wu Bin, depicting Buddhist arhats in a dynamic scene, with vibrant colors and intricate details typical of Ming dynasty art.

Giacomo Ceruti's "A Woman with a Dog" dates from the 1740s. It measures 38 x 28 1/2 inches. The medium is oil on canvas. Acquired by the Metropolitan Museum of Art through the Maria DeWitt Jesup Fund in 1930.

A painting by Giacomo Ceruti titled 'A Woman with a Dog' from the 1740s, showing a woman seated with a small dog beside her, rendered in oil on canvas, dimensions 38 x 28 1/2 inches.

Zhou Lianggong's 'Poems from the Pavilion of True Meaning' dates from 1663 or later. It is an album of twenty-eight leaves, each featuring calligraphy in ink on paper. The album measures 13 7/8 × 8 1/2 × 1 1/2 inches. Metropolitan Museum of Art, New York.

A page from the album 'Poems from the Pavilion of True Meaning' by Zhou Lianggong, featuring intricate calligraphy in black ink on a light paper background. The text is arranged in vertical columns, typical of traditional Chinese calligraphy styles.

Godfried Schalcken's "Cephalus and Procris" was likely painted in the 1680s. Oil on canvas, it measures 25 1/2 x 31 3/8 inches. Now at the Metropolitan Museum of Art, New York.

An oil painting by Godfried Schalcken titled 'Cephalus and Procris' depicting a mythological scene, likely from the 1680s, showing detailed brushwork characteristic of the artist's style.

Night-Shining White by Han Gan depicts a cavalry horse owned by Emperor Xuanzong. The horse is tethered to a post. Ink on paper, ca. 750. Metropolitan Museum of Art, New York.

A monochrome ink painting of a horse tethered to a post, created by Han Gan around 750 during the Tang dynasty.Close-up of the horse from Han Gan's Night-Shining White, showing detailed brushwork and expression in ink.

Gerard David's "The Rest on the Flight into Egypt" depicts the Holy Family taking a break during their journey. Painted ca. 1512–15. Oil on wood, measuring 53.3 × 39.8 cm.

Painting by Gerard David titled 'The Rest on the Flight into Egypt', showing the Holy Family resting in a landscape.Close-up detail of 'The Rest on the Flight into Egypt', highlighting the landscape background.

In 1787, Thomas Gainsborough painted "Cottage Children (The Wood Gatherers)." The oil on canvas measures 58 1/8 x 47 3/8 inches. It was bequeathed by Mary Stillman Harkness in 1950.

A painting titled 'Cottage Children (The Wood Gatherers)' by Thomas Gainsborough, depicting children in a woodland setting gathering wood.Close-up of children in the painting 'Cottage Children (The Wood Gatherers)' by Thomas Gainsborough, showing details of their clothing and expressions.

Petrus Christus painted 'Portrait of a Carthusian' in 1446. The sitter's identity remains unknown. The use of oil on oak creates a luminous effect. The work measures 11 1/2 x 8 1/2 inches overall. It is part of The Jules Bache Collection, 1949.

A detailed portrait of a Carthusian monk by Petrus Christus, with a lifelike depiction and a fly on the ledge, painted in oil on oak.

Jacques-Louis David painted Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836) in 1788. Marie-Anne commissioned the portrait. New York, 1788.

Portrait of Antoine and Marie-Anne Lavoisier by Jacques-Louis David, showing the couple in an elaborate interior.Close-up of the Lavoisiers in the painting, Antoine seated at a desk with scientific instruments, Marie-Anne standing beside him.

Hans Memling's "The Annunciation" was originally painted on an oak panel. Transferred to canvas after 1928, it measures 76.5 by 54.6 cm. Now part of the Robert Lehman Collection, New York. Created between 1480 and 1489.

Hans Memling's The Annunciation depicts the Virgin Mary and archangel Gabriel in a domestic interior with two attendant angels and a hovering dove. It features detailed textures and ecclesiastical robes, painted in oil, originally on oak panel, later transferred to canvas.

François Boucher's 'Virgin and Child with the Young Saint John the Baptist and Angels' is an oil on canvas from 1765. It measures 16 1/8 x 13 5/8 inches, presented in an oval form. It resides in the Metropolitan Museum of Art, New York.

Oval painting of Virgin and Child with young Saint John the Baptist and Angels by François Boucher.Close-up of the Virgin and Child detail from François Boucher's painting, showing delicate brushwork.

Nagisa Palace from the Tales of Ise is a two-panel folding screen by Shibata Zeshin. Ink, color, lacquer, and gold on silk. Cleveland, Ohio, late 1800s.

Two-panel folding screen artwork titled 'Nagisa Palace from the Tales of Ise' by Shibata Zeshin, featuring ink, color, lacquer, and gold on silk, created in the late 1800s.

Cornelis Jonson painted 'Portrait of a Woman, possibly Elizabeth Boothby' in 1619. Oil on wood. The sitter is unidentified, and the attribution to Elizabeth Boothby is uncertain.

A portrait of a woman with fair skin and brown hair, wearing a dark dress with lace collar and cuffs, set against a dark background. The painting is framed with a fictive oval border typical of Cornelis Jonson's style.

Wen Boren's 'Water Village' is a handscroll from 1570. Ink and light color on paper capture a serene water landscape. The work reflects Ming dynasty aesthetics.

A handscroll painting titled 'Water Village' by Wen Boren, depicting a tranquil water landscape with ink and light color on paper.

In 1869–70, Léon Bonnat painted 'An Egyptian Peasant Woman and Her Child.' The work measures 73 1/2 by 41 1/2 inches. It depicts a woman carrying her child, both dressed in traditional attire.

A painting of an Egyptian peasant woman carrying her child, both in traditional dress. The image is dominated by earthy tones and soft lighting, capturing the serene expression of the woman and the peaceful demeanor of the child.

Giovanni Battista Tiepolo's "The Glorification of the Barbaro Family" is an oil on canvas from around 1750. The canvas is an irregular oval, measuring 96 by 183 3/4 inches. New York, ca. 1750.

The Glorification of the Barbaro Family by Giovanni Battista Tiepolo, an irregular oval oil painting measuring 96 x 183 3/4 inches, depicting a dramatic scene with multiple figures in a dynamic composition.

Anna Dorothea Therbusch painted 'A Scientist Seated at a Desk by Candlelight' in 1755. The scene shows a scientist illuminated by a single candle. The focus is on the play of light and shadow.

A scientist seated at a desk by candlelight, painted by Anna Dorothea Therbusch in 1755. The scientist is focused on his work, with the scene illuminated by a single candle, highlighting the contrasts in light and shadow.

Basavana illustrated a feast hosted by Babur's half-brother Jahangir Mirza in Ghazni, May 1505. The work was completed circa 1589. Gum tempera and gold on paper.

A detailed Mughal miniature painting depicting a feast attended by Babur and his half-brother Jahangir Mirza with figures seated around a cloth spread with food.

Fra Filippo Lippi painted 'Portrait of a Woman with a Man at a Casement' around ca. 1440. The woman wears a richly embroidered dress. The man is visible only from the shoulders up. Tempera on wood, measuring 25 1/4 x 16 1/2 inches.

Portrait of a woman in profile with a man partially visible behind her, both set against a simple architectural background.Close-up of the woman's embroidered dress and the man's head and shoulders in the background.

Vincenzo Foppa's "Madonna and Child" is painted with tempera, oil, and gold on wood. Created around ca. 1480. The dimensions are 17 1/4 x 12 5/8 inches. Part of the Theodore M. Davis Collection since 1915.

Painting of Madonna and Child by Vincenzo Foppa, showing the Madonna holding the Child, both with gold halos, set against a plain background.

Pierre-Auguste Cot's 'Springtime' was painted in 1873. The scene depicts a young couple on a swing. The artist's use of light creates a soft, romantic atmosphere. Oil on canvas, 83 5/16 × 50 5/16 inches.

A romantic scene of a young couple on a swing, surrounded by lush greenery. The woman wears a flowing dress and the man is in a relaxed posture, gazing at her. The play of light and shadow adds to the intimate, serene mood of the painting. Painted by Pierre-Auguste Cot in 1873.

Vittore Carpaccio's 'The Meditation on the Passion' from ca. 1490. Oil and tempera on wood. The painted surface measures 26 3/16 x 33 1/4 inches. Acquired by the Metropolitan Museum of Art in 1911 through the John Stewart Kennedy Fund.

The Meditation on the Passion by Vittore Carpaccio, circa 1490, oil and tempera on wood, featuring a figure in contemplation surrounded by religious symbols.Detail of The Meditation on the Passion, showing bold colors and precise architectural details.