Patrick Altair 🌙
@patrickaltair.bsky.social
Design & Code Making websites @vercel.com patrickaltair.com
The Architectural Review, Vol 133, No 793, March 1963. Cover design by Philip Thompson designreviewed.com/artefacts/th...
We released a serif version of the Geist font family today. I got to design the posters for it. vercel.com/font?type=se...
I’m not a car guy but got to make some vibey F1 posters this week
*explaining fire emblem* so it’s like chess but with personified pieces, every eight years one comes out and it’s the greatest story ever told, then halfway through that time period they release another one where the main character is the Colgate man
Think I broke a personal record for most OG cards designed in a day
I made a little applet last week to generate ▲ + Name lockups for internal products at Vercel
Come work with me (and lots of other talented people). Currently hiring a brand designer and a presentation designer for the creative team. vercel.com/careers?func...
Every week our design team has a slack thread where we post what we’ve worked on that week. It’s a fun way to see everyone’s work. Here’s a compilation of July.
Typophoto. Paul Schuitema and his cover designs for De 8 en Opbouw, 1930s designreviewed.com/typophoto-pa... #typography #graphicdesign #dutchdesign
N̶o̶t̶i̶f̶i̶c̶a̶t̶i̶o̶n̶s̶ ̶o̶f̶ ̶n̶e̶w̶ ̶e̶p̶i̶s̶o̶d̶e̶s̶ ̶a̶n̶d̶ ̶n̶o̶t̶e̶s̶ Notifications of new episodes and notes
You can see all the new options for the Euro banknote designs here (and you can flip them over too) www.ecb.europa.eu/euro/banknot...
Damn. Someone remade the criterion closet digitally. Credit: olievanss the-criterion-closet.vercel.app
Carnation, Lily, Lily, Rose John Singer Sargent ~1885
You can tell my job titles are extremely important because they have commas in them
✨ New Work ✨ Redesign of Vercel’s blog, changelog, and articles
When it came time for the signage in our FiftyThree office, we didn't cut vinyl decals but instead hired sign painters. You couldn't tell the difference from a distance, but as you approached, you'd begin to see the individual brush strokes. I still think about it.
This Scott King series on how to deliberately sink Vogue isn’t so strong in general but this cover is a banger. www.theguardian.com/artanddesign...
