Pedro Soares

@peachflavor3d.bsky.social

Random 🇵🇹 earthling that enjoys videogames, anime, nerdy stuff and restoring game artwork. Like what I'm doing? Buy me a coffee! http://ko-fi.com/peachflavored

The artwork of SaGa Frontier II by Tomomi Kobayashi used on the cover of SaGa Frontier II Perfect Works. Also featured in the Ultimania Guide and an Illustration Card Set. Usual upscale/clean/retouch process applied.

The artwork of SaGa Frontier II by Tomomi Kobayashi used on the cover of SaGa Frontier II Perfect Works. Also featured in the Ultimania Guide and an Illustration Card Set. Image depicts a scene with characters from the game where a long hair blonde man in a white and brown attire is seated on a chair in a relaxed position, holding a white book on his right hand and a puppy on his left. Next to him, standing up, there's a person holding a cup and eating a piece of food, with to women next to it, one in a white dress holding a bowl of fruit and the other in a green dress holding a tray of bread. To the upper right, a man in blue with a yellow creature on his shoulder checks a book. There's a table with food with some potted plants below to the right and a stack of books to the left. The background features a fireplace with some plants above, a window and some furniture with plates.

Finished Kaeru no Tame ni Kane wa Naru aka For The Frog The Bell Tolls for the #GameBoy once again. This game is soooo good! It's a crime that there isn't a re-release with an official translation or even a remake in the style of Link's Awakening for the Nintendo Switch.

Picture of the ending screen for Kaeru no Tame ni Kane wa Naru aka For The Frog The Bell Tolls a Game Boy Advance SP with an IPS screen.

The artwork of Romancing SaGa 3 by Tomomi Kobayashi used on the back cover of the remastered OST and as part of a post card set, albeit with a different color tone. Most likely it was used for other stuff as well. Usual upscale/clean/retouch process applied.

Romancing SaGa 3 clean artwork by Tomomi Kobayashi used on the back cover of the remastered OST and as part of a post card set, albeit with a different color tone. Image depicts two entities dressed in intricate attires: the one one the left has angel wings and seems to represent the good, the one on the right has demon wings, a horned mask and seems to represent evil They're both staring at a baby hovering in midair with an aura around, with some orange and red toned lilies below next to an ornate sword which is carved onto a skull on the ground with blood dripping to the floor and splattered on some leaves. The background features some contrasting colors with green and purple being the more prominent.

Got Marvel Cosmic Invasion for PlayStation 5. In a few months I suspect another physical version with added content will be released much like what happened with Shredder's Revenge...😆

Picture of Marvel Cosmic Invasion for PlayStation 5, European PEGI rated physical release.

The artwork of Robo Crush by Kazunori Nakazawa used on the cover of the #MSX2 release in Japan. Took some liberties in upper corner and bottom to add the missing bits, applying the usual upscale/clean/retouch process.

Robo Crush clean artwork by Kazunori Nakazawa used on the cover of the MSX2 release in Japan. Image depicts a blue and yellow mech holding a massive axe on its right hand, standing on top of some fallen green mech remains. A blue and yellow shield with a red crest sits next to it with some pink toned clouds on the bottom. Behind the mech there are some buildings with green windows and some more clouds. Up above what seems to be a huge explosion can be seen contrasting with the blue sky where also a huge flying ship can be seen with the words "Robo Crush" displayed on a panel, on the left side.

Asked a friend to make me a new repro of Kaeru no Tame ni Kane wa Naru aka For The Frog The Bell Tolls for the #GameBoy using brand new components (PCB with battery free save and shell) and my custom label sticker. Gotta say, I'm pretty happy with the end result!

Picture of Kaeru no Tame ni Kane wa Naru aka For The Frog The Bell Tolls custom reproduction cartridge for the Game Boy using brand new components (PCB with battery free save and shell) and my custom label sticker.

Finished Xenoblade Chronicles 2 on Nintendo Switch. While I enjoyed the story, world, and characters, certain aspects of gameplay mechanics were a bit obnoxious such as getting new Blades and field skills (which were improved on NS2 version). Overall, good game.

Xenoblade Chronicles 2 key artwork with logo.Xenoblade Chronicles 2 screenshot. Engaging with a bulky enemy. The combat is quite fun but getting the right combos can be tricky at times.Xenoblade Chronicles 2 screenshot. This game has many gorgeous vistas that can be enjoyed at different times during the course of the day.Xenoblade Chronicles 2 screenshot. Another combat out in the wild.

The artwork of Populous by Tim O'Brien used on the cover of the #SuperNintendo release in North America. Restored by using different sources to add missing bits, removing the logo with few liberties, adding the signature, and applying the usual upscale/clean/retouch process.

Populous artwork with logo by Tim O'Brien used on the cover of the Super Nintendo release in North America. Image depicts a scene where a castle is being lifted from the ground with an explosion of lava and rocks beneath it while a flying skull and the flying face of an old man with long hair are up above it. Another part of the ground can be seen lifted up on the right side and on the left there's another castle in the distance with a huge explosion nearby. The sky is composed of heavy dark blue clouds with lightning bolts on both sides. The words "POPULOUS" can be seen up top in the middle with a rocky texture filled with cracks. The signature "O'BRIEN" can be seen on the bottom right side.Populous clean artwork by Tim O'Brien used on the cover of the Super Nintendo release in North America. Image depicts a scene where a castle is being lifted from the ground with an explosion of lava and rocks beneath it while a flying skull and the flying face of an old man with long hair are up above it. Another part of the ground can be seen lifted up on the right side and on the left there's another castle in the distance with a huge explosion nearby. The sky is composed of heavy dark blue clouds with lightning bolts on both sides. The signature "O'BRIEN" can be seen on the bottom right side.

The artwork of Pac-Man by Hiro Kimura made for the #Atari2600 release which went unused for being "too ferocious". It's a total departure from the game but also a really cool and goofy piece. Still a bit cropped on the bottom. Usual upscale/clean/retouch process applied.

Pac-Man unused clean artwork by Hiro Kimura made for the Atari 2600 release. Still a bit cropped on the bottom. Image depicts a human like Pac-Man running scared while grabbing and munching on rectangular pellets while ferocious Kaiju looking ghost chase him with huge open mouths filled with sharp teeth where the red one can be seen drooling. There's a blue sky with some clouds on the background and a little frog hoping on the bottom right corner.

Finished Crysis Remastered Trilogy on PlayStation 5 (PS4 BC). Overall fun games, the first being the better one. I just wished it had some mechanics from 2 and 3 thrown in (like stealth kills and the predator bow). Platinum achieved on all games.

Crysis Remastered Trilogy key artwork with logo.Crysis Remastered Trilogy screenshot. A view of the several beautiful vistas that can be appreciated on Lingshan Island when we're not shooting or blowing stuff up.Crysis Remastered Trilogy screenshot. New York has seen better days but Crysis 2 still manages to look gorgeous at times.Crysis Remastered Trilogy screenshot. The best and most memorable mission in the Crysis 3.

The artwork of Legend of Lemnear by Satoshi Urushihara used on the cover of the VHS/LD/DVD/BD releases across various regions. Some use only the characters. Usual upscale/clean/retouch process applied.

Legend of Lemnear clean artwork by Satoshi Urushihara used on the cover of the VHS/LD/DVD/BD releases across various regions. Some use only the characters. Image depicts a muscled warrior with white and blue toned hair, in a reduced black and golden attire with a red piece of cloth around the neck and waist, holding a intricate sword up high on his left hand and holding a young silver hair girl in a scantily clad red and white attire with his right. The girl is also holding to the man's hip with her left hand while holding a sword with her right. They're standing atop a rocky formation with yellow glow, and a huge rock face with several horns and some blank eyes can be seen behind them a bit up. Further back in the distance, some sort of city can be seen with some clouds above.

The artwork of Last Guardian: Juukyou no Shugosha by Yoichi Kakui used on the cover of the #NEC #PC98 release in Japan as well as for advertising. Restored by removing text/logos, with a few liberties taken in some spots, and applying the usual upscale/clean/retouch process.

Last Guardian: Juukyou no Shugosha clean artwork by Yoichi Kakui used on the cover of the NEC PC-98 release in Japan as well as for advertising. Image depicts a group of elf looking people among two mechanical beings with red orbs. On the lower left, a male elf with glasses has a huge white wing shielding himself and a woman resting on his lap with her eyes closed. Behind him, three more people fend themselves with the rightmost one holding a sword with both hands.

The artwork of Langrisser I&II by Satoshi Urushihara used on the cover of the Japanese PlayStation release (Masaya Best in 99 and reprint in 01) and advertising with some minor differences. Usual upscale/clan/retouch process applied.

Langrisser I&II clean artwork by Satoshi Urushihara used on the cover of the Japanese PlayStation release (Masaya Best in 99 and reprint in 01) and advertising with some minor differences. Image depicts the faces of several women with different hair styles and colors where a scantily clad blonde elf takes center stage. The woman up top was removed from the cover also featuring a different background.