Chris Walton ❌👑

@philocrites.bsky.social

Preoccupied with music, culture, religion, and liberal democracy. Practicing composition in Greater Boston.

Coincidental moments in reading, Oct. 25 edition: I'm nearing the end of Simon Morrison's "Tchaikovsky's Empire," and last night reached the account of the composer's death—on October 25, 1893!! (Russia was still using the Julian calendar back then, so now we say it was on November 6. But still.)

Yesterday was a four-needle day: one failed phlebotomy poke before work; one successful (in the other arm); then a flu shot and a covid booster at the local CVS. Four more than I’d like, sure, but hooray for modern medicine!

Surprising and delightful moment on Boston's classical music radio station WCRB this morning: They played one of Ligeti's Bagatelles for Wind Quintet! I love all six, but you don't usually think of Ligeti as classical radio stuff.

Proud parent moment (especially considering my very intermediate piano skills): My oldest is heading off to college this week, and asked me for a playlist of the piano pieces I've been playing in recent years. That really moved me!

Confessions of a classical music radio listener: The composer whose works have caught my attention the most lately is, to my surprise, Respighi! I hadn't heard his 1925 mixolydian piano concerto before, but I immediately wanted to know why I had never heard it before. (Thanks, WHRB!)

Excited by the prospect that NYT Opinion will have to cook up a podcast to replace the one that replaced the one I enjoyed featuring Carlos Lozada, Lydia Polgreen, Michelle Cottle. Bring back “Matter of Opinion”!

"By tying artistic seriousness so tightly to the preservation of older sounds, forms, rituals, and cultural assumptions, the tradition has gradually drifted away from the social, emotional, and historical realities through which most people encounter meaning in music in their contemporary lives." 💯

I CARE IF YOU LISTEN@icareifyoulisten.bsky.social · 5mo ago

"We tend to forget that these composers were trying to get paid. They were trying to secure patrons, performance, and survival. To erase that friction is not to honor them — it is to misunderstand them." icareifyoulisten.com/2026/05/colg...

Open-to-all Cambridge band School of Honk cofounder Kevin Leppmann: “It’s a profound crisis that most people believe they can’t make music, [that] they can only passively consume it.” “[W]e’re not saying there are no wrong notes, we’re saying we’re not going to worry about wrong notes.”

Can a band that lets literally anyone join sound good? This group joyfully tests the premise. - The Boston Globe

You hear School of Honk all over Cambridge and Somerville. Turns out, you can also join them, no experience required.

bostonglobe.com