Phuong Le

@phuonghhle.com

Editorial @ mubi || Words @ Guardian, Sight & Sound, Film Comment, BBC, Indicator, Arrow Films, and others. 📍London, UK 📩 phuonghhle@gmail.com

I adore Stéphane Ly-Cuong's charming musical comedy IN THE NGUYEN KITCHEN, a rare chance to see the Vietnamese-French diaspora portrayed with so much heart and soul. Book here for a screening and a filmmaker Q&A this Saturday at Ciné Lumière, moderated by me! tinyurl.com/9972a3zj

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Still reeling from Frank & Eleanor Perry's THE SWIMMER (1968) at BFI last night: a ruthless, ravishing horror film about capitalism that sucks you in and and drags you under alongside Burt Lancaster's Ned, one of the boldest lead performances on film. Thank you @phuonghhle.com for a terrific intro.

Burt Lancaster in THE SWIMMER, looming out of the water that shimmers behind him.

Saw FRENZY for the first time at the BFI and this reverse tracking shot is one of the most viscerally upsetting sequences I've ever experienced in a cinema, like some kind of sickness crawling under my skin.

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In her incredibly entertaining autobiography, Rosalind Russell detailed how she fought for star billing in THE WOMEN over Norma Shearer's resistance. There's a happy ending, with a cameo from Ernst Lubitsch!

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I have recently become quite obsessed with Michael Caine in THE IPCRESS FILE (1965) and Robert Donat in THE 39 STEPS (1935), two fantastic performances greatly enhanced by the medium of eye makeup.

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I started THE COUNT OF MONTE CRISTO on Friday, am now 500 pages in and it's literally physically impossible to put it down. Every single chapter is gasp-inducing!!